Brie Larson (Brianne Sidonie Desaulniers) Quotes
I won't do things for money. I can't. So I'll hold out and say, in my mind, 'There's a really cool diner down the street from my house. They make really good pancakes; I'd be happy doing that.'
Quotes to Explore
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Well, I decided to stop. And I did. I stopped smoking, and I stopped speed at the same time.
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I think of myself as a journeyman actor. I've got some talent and I work hard, but people like Brando or Pacino - those people are touched by God.
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To receive everything, one must open one's hands and give.
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I'm a paleoanthropologist, and my job is to define man's place in nature and explore what makes us human.
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I do not have the angst and the anxiety of my youth. I've gotten to a place where I'm very comfortable with who I am.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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One shouldn't know the future.
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I've never necessarily chosen to be a bachelor. I've had girlfriends throughout the last 20 or 30 years. It's just that there were times when I met people that fascinated me and times I didn't.
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I don't have a definition for depression. I'm productive, and that's not a sign of depression, right? And I don't have weeks where I don't leave my bed. It seems like depressed people have those.
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I've never been to New Zealand before. But one of my role models, Xena, the warrior princess, comes from there.
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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We must expect to fail... but fail in a learning posture, determined no to repeat the mistakes, and to maximize the benefits from what is learned in the process.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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It's kind of a tradition that you get a rookie, put him in the middle, wrap your arms and legs around him, then douse him with everything you can get a hold of - shaving cream, ketchup, mustard, everything. It's kind of like a pie in the face after a guy is successful.
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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My hand is the extension of the thinking process - the creative process.
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While we are sleeping, two-thirds of the world is plotting to do us in.
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I've always struggled with having frizzy hair, and it doesn't really cooperate the way I want it to.
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I stuck out more in an English public school than I would have had I marched in a May Day parade with the Red Army in Moscow or sashayed the Yves St. Laurent catwalk with supermodels or hunted seals with the Inuit or - well, you get the idea.
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You have an audience that is fairly well grounded in the real world. You serve them and yourself best by making everything as real as possible.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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I won't do things for money. I can't. So I'll hold out and say, in my mind, 'There's a really cool diner down the street from my house. They make really good pancakes; I'd be happy doing that.'
