Brigitte Bardot Quotes
Quotes to Explore
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I believe in growth - in myself and in the characters I create.
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It's hard to generalize, because they're all different. When I started, I decided to take as much advantage as I could of the freedom offered by the SF field.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
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If you're not big enough to lose, you're not big enough to win.
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People have no idea how hard football is, absolutely no idea. It's all about pace. You can say, 'Yeah, you've got speed of thought' - but you've got to have a little bit of a zip.
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I'd hate to be a songwriter starting a career today.
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You cannot work and be at home with your child. But you want both.
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I feel good when I stir something with a spurtle, but I don't make porridge very much in London.
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As a woman, you spend so much time either cooking or getting ready to go somewhere. I like to have music when I'm doing either of these things.
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I also want to get out there in the world and do some acting and fashion and modeling.
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I always thought that common sense would prevail. But on a game show, there is no common sense.
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You look at the floor and see the floor. I look at the floor and see molecules.
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Artists should always think of themselves as cosmic instruments for storytelling.
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Historic changes and challenges. Breakthroughs in human knowledge and opportunity. And yet, for vast numbers across the globe, the daily realities have not altered.
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I've always had a duck personality. Calm above water, feet going crazy below.
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We simply do not understand our place in the universe and have not the courage to admit it.
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What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.
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Meat-fetishiser that I was, I used to find willed vegetarianism inexplicable. It was one thing to be a vegetarian because of religious and caste reasons - something I was familiar with because of my Indian upbringing - but to choose to be a vegetarian when you could eat meat for every meal every day? That seemed madness to me.
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The mind has been likened to a piece of paper that has been folded. Ever afterwards it has a tendency to fold in the same crease-unless we make a new crease or fold, when it will follow the last lines.
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I'm going to name a name: Janet Evanovich. She writes the same book over and over, and I read every single one of them and eagerly anticipate them.
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In later years I never put aside this kind of inquiry, that is, into the modes of thinking and representation embedded in a text, but I asked new questions about ways of writing and the forms and rituals of discourse. I began to look not only at what was stated or declared in a text, but also at what was suggested through expression, through performance.
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Film-making was not at all what I had expected.
