Brit Marling Quotes
When I'm sitting writing, I know that something works if I've made myself cry, or laugh, or have a visceral emotion.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I ended up going to college for visual arts but moved up to New York after I graduated from college in 2006 and started going gung ho to the Upright Citizens Brigade, and I realized that that was what I was really interested in and what I really wanted to do.
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The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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The three great problems of this century; the degradation of man in the proletariat, the subjection of women through hunger, the atrophy of the child by darkness.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.
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I think it's very important to have a public discussion about why we're denying our soldiers the ability to exercise their Second Amendment rights.
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They pollute. It's not because morally they have a problem, but more because the mechanism now is rewarding those who cut corners to save cost.
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There is a profound difference between information and meaning.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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I was a very rotund child with short hair, and for some reason, I always had black ballet shoes. I was like the Wednesday Addams of ballet.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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I'm not cynical.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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I like to frequent antiques shops and flea markets like the Rose Bowl in Pasadena.
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Democracy is difficult and demanding. So is history. It can crack your voice; it can stir your soul; it can break your heart.
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I grew up a poor kid in Florida, and I was always in Florida living with my stepfather and my mother, and we used to, every year, sit down and watch 'The Wizard of Oz.' And I think to this day that's probably the foundation for everything I've done since.
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My writing is different. I think it's better. I think it's deeper. But, strangely enough, it covers a lot of the old ground. Maybe it says it in a more sophisticated way ... but I [have written] about basically the same subjects over the years.
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When I'm sitting writing, I know that something works if I've made myself cry, or laugh, or have a visceral emotion.
