Gael Garcia Bernal Quotes
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Music is really nothing if you think about it - it only becomes something when somebody listens to it. And then it becomes uncontrollable.
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We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
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The world of classical music is so fascinating. It's a world that encompasses people from everywhere and erases the basic restraints of nationality; everyone is united by this common language of music.
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'Motorcycle Diaries' had the best costumes - that battered jacket and those linen shirts. I wear linen shirts in real life, too, and I have a nice, simple number I got handed down. As a father, you just stop buying stuff for yourself. It's all for the kids.
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Migration is as natural as breathing, as eating, as sleeping. It is part of life, part of nature. So we have to find a way of establishing a proper kind of scenario for modern migration to exist. And when I say 'we,' I mean the world. We need to find ways of making that migration not forced.
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I was brought up the Mexican way, where actors are paid very little and every part you take is an act of faith. If people respect that, then great.
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As actors, we don't shy away from saying, 'I wanted to be an actor because I wanted to meet girls.' Directors cannot say the same thing.
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There's no such thing as a specific authenticity to what Mexico is, because Mexico is incredibly complex and varied, and the food is completely different if you travel 50 kilometers. It just changes all the time.
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In a comedy, after the day is done, you can figure out ways of how to make it even funnier for the next day. In dramas, it's very different - the mindset that you're in.
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I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
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I want to do work, but I also want to have a good time.
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I go with the flow. Whatever music you play for me, I'll dance.
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I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
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HeyHey is my favourite app. It's like Instagram but for sound recordings, with little soundbites from people's days. We spend far too much time looking down at our phones, so it's nice to have your head up while you listen to what other people have uploaded.
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The whole Baja California peninsula is an energetic place, and it's incredibly alive.
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In general, I hate films that are overtly either very masculine or very feminine, you know? The same way that I don't like a war movie about soldiers smashing people's heads. But a chick flick I like would be Cassavetes' movies. 'A Woman Under the Influence,' 'Husbands.'
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Little remnants from everywhere I've been are scattered around my home. I collect rocks in a weird way, with stones from around the world as mementos. I've also got three haranas, which are little guitars.
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In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.
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In Latin America, you don't do things for the money because there is no money.
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It's not easy to act, but to direct to act. It goes form one place to the next. It's not heading for the punchline, and also it's not about scoring goals. It's about passing the ball, and the goals will come by themselves.
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In Mexico, audiences want to see a big discussion around a film - what we expect from Hollywood films worldwide is more of an entertaining show. 'Y Tu Mama Tambien' was a road movie and comedy, but it had a very strong political connotation that sparked a discussion in Mexico that is still going on.
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Life certainly points it out to you - 'you can go this way or the other way.' You have to decide and it's a very strong decision because, would you sleep well knowing that you're living in the best place, but you're letting the place where you should live alone?
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We all have a cross-gender character: Every woman has a man that they can play, and every man has a woman that they can play.
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Every democracy is constructed day-to-day. And the electoral process reduces and minimalizes every single aspect of human complexity. We're putting it into pamphlets. We're doing a publicity show. We're becoming symbols.