Jeanne Marie Laskas Quotes
A coal mine greets you with only one sentiment, then hammers it: 'This is not a place for people. This is not a place for people. This is not a place for people'.
Quotes to Explore
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I care most about how people live their lives, what choices they make, and how they get the best from themselves.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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When two people in an intimate-couple relationship look at their interactions as opportunities to learn about themselves instead of change each other, they are infusing their relationship with the energy of spiritual partnership.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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The best thing about being on the road in general is just playing every single night in front of people that are genuinely fans of your music.
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I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I don't like getting people upset, so that's not my goal. But I like putting people in situations where how they respond says a lot about them.
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It's tragic that you can define a whole movement in music by gender alone. People are like, 'Oh, look, another quirky girl.'
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If the gentleman has ability, he is magnanimous, generous, tolerant, and straightforward, through which he opens the way to instruct others.
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Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word 'census,' and people fall asleep.
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Okay, let's talk about cartoon labels for half a second - some people think anything with a dog or a car or a colorful alien is garbage, which is not true. Look at Big Moose Red. It's, like, a $6 wine with a cheesy label, and it's actually a solid wine.
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I like the silent church before the service begins, better than any preaching.
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I suppose if I didn't have Loopt, I'd have to, I don't know, pick up the phone and just start calling people, a lot more texting and certainly more Googling.
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So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
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When leaders are no longer beholden to the people who elected them, corruption results and the recruitment of extremists becomes easier.
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I played with Annika today. I love being paired with her. She does not make many mental mistakes, and she has the ability to repeat her swing over and over and wears people down.
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The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
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We believe that people moving their portfolios to an overweight in bonds will be disappointed over the long-term and will significantly underperform an asset allocation that over-weights equities.
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People run on and off the stage, but usually they're removed before they get to me. It's not really frightening. There's always the possibility that someone's going to take a potshot at you; you take that risk when you perform in front of thousands of people.
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I would never, ever trade any campaign donation - that's absurd - for some type of favor to anyone.
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I can pretty much get in touch with my evil side pretty easily.
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I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
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A coal mine greets you with only one sentiment, then hammers it: 'This is not a place for people. This is not a place for people. This is not a place for people'.
