Jeanne Moreau Quotes
Quotes to Explore
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Good cinema is what we can believe, and bad cinema is what we can't believe.
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I doubt there's any government in the world that guides itself primarily by strategy or conceptual documents or worldview. Anybody who has the reins of power has to look at practical limitations and tradeoffs - the fact that you can focus at most on one or two things at a time, that resources are limited.
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Look. Art knows no prejudice, art knows no boundaries, art doesn't really have judgement in it's purest form. So just go, just go.
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I love the color pink. It makes a bold statement.
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We adore chaos because we love to produce order.
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I was very obsessed with my music, and I think that, as a young girl, I really wanted to get into this business, and I don't think my parents really knew how to protect me.
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My father was overbearing. Very controlling. He was always the way he is, even before my success. He was not always a good person. He'd play mind games to make sure I knew my place. I don't see him, which is unfortunate. But I don't have any desire to see him. I vaguely know where he is, and I don't want to know.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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I'd love to have our trains, our subway cars and our taxis built right here in New York City. You can create 40,000 living wage jobs... the city's contracting power is huge.
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We've got a great value proposition against Chromebooks, we are not ceding the market to anyone.
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Truthful words are not beautiful; beautiful words are not truthful. Good words are not persuasive; persuasive words are not good.
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If I could only remember that the days were, not bricks to be laid row on row, to be built into a solid house, where one might dwell in safety and peace, but only food for the fires of the heart.
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The Bureau doesn't have any secret files.
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I was fortunate to have teachers that were flexible with allowing me to miss more class than I was supposed to be able to, for the sake of being able to tour.
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I have been struck by the pervasive frequency of pompously patriotic ads for the defense industry, usually accompanied by deferential salutations to our men and women who are heroically sacrificing their lives in our defense. Do we really need all of that for our security?
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Outlining is like putting on training wheels. It gives me the courage to write, but we always go off the outline.
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The funny thing is I'm not even Latin. I was constantly getting Latin roles, and I was like, I even was nominated for an award, and I was like, 'Let them know at the NAACP, the first white woman. Let them know I'm totally grateful, but I'm not Latin. I can't do that. I play Latin.'
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I feel like I was in the last graduating class of commercial actors.
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For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.
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I am proud of Kirk. I think he drums to his own drummer in every way.
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I'm deeply stressed as a filmmaker, and I know I'm not alone. The censorship crisis, the moral policing, the politics of it has most of us on edge. I'm scared to use certain words: like, if I use 'Bombay,' will there be a problem?
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I feel alone and safe in public.
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I want to be alone with my thought.
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I need, absolutely, to be alone.
