Jeff Bridges Quotes
I look at the camera as sort of a missing link between motion picture photography and still photography.
Quotes to Explore
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When you are missing someone, time seems to move slower, and when I'm falling in love with someone, time seems to be moving faster.
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I am not influenced by the techniques or fashions of any other motion picture company.
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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I never read about photography.
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Life is painting a picture, not doing a sum.
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There's a picture there that people realize that, we stop helping Israel, we lose God's hand, and we're in big time trouble.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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When there are multiple versions of a story, you really have three ways to go. You can pick the most sensational version. You can try to balance things in your gut to get to what you think is the honest truth. Or you can err on the side of kindness.
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Even before my audition, there were several pages missing from my script because those bits were so unbelievably secret not even I was allowed to see them.
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I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at that?' Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life. You don't look for pictures. Your pictures are looking for you.
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Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.
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I do not believe the picture that some people paint of Scottish towns dependent on welfare. Every time I come here, I meet people who are determined to get into work. Who, with the right help are desperate to get off benefits, support their family and set an example for their children.
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L.A. is great, but it's a completely different beast. I go back to Minnesota, and I borrow a bike from my neighbor and go around Lake Harriet saying 'Hi' to people. Some of that is missing in L.A.
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If you think nobody cares if you're alive, try missing a couple of car payments.
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Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
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That which, perhaps, hears more nonsense than anything in the world, is a picture in a museum.
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Before the camera, you only had secondhand takes - someone had to tell you what they saw or draw a picture of it or sing a song. Because of the camera, sometimes to our horror, we now know everything that happens in the world - things that before we were sheltered from.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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We see many posters and standees at cinema halls, and some catch attention. But these posters are soon forgotten. Taking a picture with the actors, enabled by AR, helps record a memory.
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Data is what distinguishes the dilettante from the artist
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Laugh a lot. It clears the lungs.
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How often one reads a contemporary full-length novel and thinks quietly, mutinously, that it would have worked out better at half or a third the length.
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I look at the camera as sort of a missing link between motion picture photography and still photography.
