Garry Winogrand Quotes
The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.
Quotes to Explore
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Art should be an oasis: a place or refuge from the hardness of life.
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I'm resigned to the fact that the corseted history of America is not as exciting as that of Britain.
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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Music history has flowed under the bridges for many years.
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You don't just become number one because you sing like everybody else. There is something different you bring to the table. Make sure you are constantly getting into the newest technologies. Learn the history of what you do, and always respect the ones who came before you.
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In my generation, history was taught in terms of grand figures, men on whom the destiny of the nation hinged, quintessential heroes.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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I became a student of the history of religion. I am fascinated by how religions often center on mystical experience, and in the Old Testament tradition you find flames, the burning bush.
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History, at its best, always tells us as much indirectly about ourselves as it does directly about our predecessors, and it is often most revealing when it deals with episodes and phenomena that we find repulsive.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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Love isn't an emotion or an instinct - it's an art.
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I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
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Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.
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The subject matter is very tricky. It's about the Munich massacre and what Mossad did afterwards with the assassination squads. I think it's a turning point in history, especially for the Palestinians.
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The study of history empowers nations and individuals with an ability to avoid errors of the past and lay foundations for victories in the future.
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The greatest artists have never been men of taste. By never sophisticating their instincts they have never lost the awareness of the great simplicities, which they relish both from appetite and from the challenge these offer to skill in competition with popular art.
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I just think that things should be allowed to run their course, and not turned into a Disney ride.
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I am very abnormal... But it wasn't very long ago that I wasn't so abnormal. I was very normal and headed for a lifetime of paying medical bills as proof of my normalcy.
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I ride a bicycle everywhere I go, the physical strength is obvious, but my mental strength and my capacity to love myself and to love others has definitely expanded. And that's the one thing I need the most in taking on a life of touring and a life of basically being with hundreds of people every day and not exhaust one's energy.
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Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.
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The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.
