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I just let the emotion dictate what the arrangement is.
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I dunno... I feel out of step. Musically. Just out of step, not even behind or ahead. Just sort of like... I dunno, sometimes I feel like I'm still... just not... in sync. I don't know how to explain it. I just am.
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The only goal is in the process. The process is in the thing with little flashes of light: those are the gigs, the live shows... it's the life in between. That's all I've got.
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I'm concerned with the future. I'm concerned with my life, my present, my friends, people I love, people who love me. I have no intention of taking on a legacy that wasn't bestowed on me.
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I made a statement all my own.
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I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.
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New York Newsday said I was stealing from the black man, and I was failing at it whereas Michael Bolton was succeeding. So fuck 'em.
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I sacrificed my anonymity for my father, whereas he sacrificed me for his fame.
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You can tell everything from the eyes.
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I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.
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Music was like my first real toy. I was an only child for a while, and I was alone a lot of the time - and I liked it. I still like being alone.
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Maybe I'm too young to keep good love from going wrong, but tonight you're on my mind, so you never know.
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I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
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I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.
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I'm convinced part of the reason I got signed is because of who I am, and it makes me sad.
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When I sing, my face changes shape. It feels like my skull changes shape... the bones bend.
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I'm always writing and reflecting on life. I want to suck it all in.
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I've always liked the electric guitar better. Even though the acoustic can be a very sexy and mysterious instrument, I can go to way more places with an electric.
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When I was a kid. I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13. Crappy rock bands, avant-garde things where we'd, like, 'wanna go against the norm, man.'
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Sensitivity isn't being wimpy. It's about being so painfully aware that a flea landing on a dog is like a sonic boom. I enjoy a lot of mystery.
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My personal aesthetic is to be affected directly by everything about what you're seeing... I don't mind being dashed on the rocks... My most base act of defiance is to live a long time and still rock.
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Kiss me out of desire, but not consolation.
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Interviewer: 'So Jeff, what are your main musical influences?' Jeff (after a long pause): 'Love, anger, depression, joy and dreams. ...And Zeppelin. Totally.'
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What I'm trying to do is just sing what comes to my body in the context of the song. And if you go by the emotion of the song, it's almost like stepping into a city. Cities have certain customs and rules and laws you can break, and that's what I was doing.