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What I'm trying to do is just sing what comes to my body in the context of the song. And if you go by the emotion of the song, it's almost like stepping into a city. Cities have certain customs and rules and laws you can break, and that's what I was doing.
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The music business is the most childish business in the world. Nobody knows what they're selling or why, but they sell it if it works.
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When I was 12, I decided to become a musician. 'Physical Graffiti' was the first album I ever owned.
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The most audacious thing I could possibly state in this day and age is that life is worth living. It's worth being bashed against. It's worth getting scarred by. It's worth pouring yourself over every one of its coals.
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I figured if I played in the no-man's land of intimacy, I would learn to be a performer.
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All music industry places are the same, really. They have the same dynamics and the same concerns and the same needs.
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I don't choose the songs; the songs choose me.
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Maybe someday, I'll just make, like, a complete on-demand record that everybody wants to hear. But that would be impossible and, also, I just changed my mind. I don't think I'll ever do that.
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A tune has to resonate with whatever is happening around it.
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Maybe I'm not a good enough artist that people just think of me. Maybe in the future, I'll bloom into something that will just make people look at me for what I am.
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I don't really go on what people say so much; I go on their voice. I go on their energy at the time. I go on how close their arms are folded into their chest.
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More than any other place, New York is where I felt I belonged. I prefer the Lower East Side to any place on the planet. I can be who I am there, and I couldn't do that anywhere I lived as a child. I never fit in when I lived in California, even though that's where my roots are.
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I don't really need to be remembered. I hope the music's remembered.
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I don't want to do any more covers. It's good to learn to make things your own, but the education's over. 'Grace' is putting a lot of things to rest.
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The words come from here. From memories, from dreams, from people I've known. I'm always writing and reflecting on life. I want to suck it all in.
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I do like structure, and I'd love to be better at it.
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A song just doesn't have verse-chorus-verse. It could just be one line. There are Chinese love songs that you have to learn one melody for a three-minute thing, and nothing ever repeats. I like that.
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I want to be ripped apart by music. I want it to be something that feeds and replenishes, or that totally sucks the life out of you. I want to be dashed against the rocks.
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I don't know any artists that are really emotionally well adjusted. In fact, I think we're all pretty much insane.
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There are times when what you do will be mysterious to everyone... times when you have to change directions before people are ready. Just because someone does something that critics don't like or understand doesn't mean you're failing as a musician. It probably means you're growing.
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In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge. I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing.
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Certain emotions just take you to the notes - being furious, heroic, sad, erotic, when rain comes.
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I just want to be a guy with a guitar.
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Critics try to pin so many different inaccuracies on me and my music; they look at the complicated things and try to simplify them. They think they can nail your whole life down just by knowing the bare bones of your history in partaking in 10 minutes of conversation.