Jeff Nichols Quotes
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Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.
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I think it's important to say typing in the computer is like the last, last phase of my writing process. That's kind of the fun part. Well, it's all somewhat fun, I suppose. But usually what happens is I think about a movie for at least a year - maybe a couple more - and I don't put anything down.
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Marriage isn't about a collection of scenes over ten years of two people telling each other that they love each other. It's about commitment.
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What Richard and Mildred Loving did was, by their nature, not by any calculus, they separated themselves from the political conversation. They did not have an agenda. They did not want to be martyrs. They did not want to be symbols of a movement.
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I've been just unsuccessful enough not to have been given a big opportunity too soon.
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I was always interested in creative writing growing up. From junior high on, I was writing short stories. I also grew up watching movies. My father would take me to everything. Most weeks, I could open the paper having seen every movie listed.
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I thought 'Mud' would be such an easy film for people to understand.
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I'd love to just continue making original films from scratch, but it doesn't mean I won't try my hand at something else in the meantime.
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The real cost is always more than just the money you shell out.
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'Indiana Jones' was me growing up. I could quote lines from 'Tango and Cash' as much as I could quote lines from 'The Searchers'.
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Nature is the purest thing we can touch and observe. It can be the most beautiful and also the most devastating.
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I grew up in Arkansas, and I went to Little Rock Central High, which was the site of a desegregation crisis in '57. I graduated in '97.
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It's amazing how far you can get into a plot before you figure out what you're doing.
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I think only the movies you do remember are the films you had an emotional connection to.
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'Take Shelter' is a tough movie because there's no humor in it, so there's really no way to judge how you're doing - whether people are still with you or not.
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The more we try to control our kids and create who they are and where they're going, the more that will fall apart. That's a dangerous thing. So you need to actually manage the fear and figure out who your kids are. Who do they want to be and how can you help shape that, but not control it.
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I think Warner Bros. are probably some of the best people in marketing films in the world.
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I think the way you make a movie dictates the movie that you make.
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I really don't know how to tell you what it feels like to be a parent.
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I have gained a lot of confidence in my process of making films. It does't mean I'll make a successful film or even a good film, but I know how to make my film.
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I think too often in films, people think endings are a summation of plot, and I don't like that. Because once you know where you're going as an audience member, then it's like a video game. You're just waiting for them to get through the levels and beat the bad guy. And I just think that's boring.
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I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
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I care about narrative structure; I care about how stories unfold.
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People ask me about past projects I've worked on, and other things; I'm just really bad at lying. I have a bad poker face, so I just try to tell people how I'm feeling in the moment and really what I was trying to do.