Wassily Kandinsky Quotes
I am working again on my painting 'Moscow' 'Moscow I' ('Mockba I'), 1916. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.
Quotes to Explore
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I particularly like Hershey's chocolate - the kind which has almonds in it.
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When you have my confidence, I will do 200% for you.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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Real friendship, like real poetry, is extremely rare - and precious as a pearl.
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The lives of African-Americans in this country are characterized by violence for most of our history. Much of that violence, at least to some extent, you know, done by the very state that's supposed to protect them.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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People employed in financial institutions are rarely interesting and even more rarely likable.
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Racism is everywhere - the older generations in Malaysia still say things like, 'She's darker-skinned; maybe don't marry her,' and it's very judgmental. A lot of girls do try to get fairness cream to lighten their skin, and I'm against all of that.
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We were like a stock company at Warners. We didn't know any of the stars from the other studios.
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It just seems to be a human trait to want to protect the speech of people with whom we agree. For the First Amendment, that is not good enough. So it is really important that we protect First Amendment rights of people no matter what side of the line they are on.
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I have had just an excess of energy. That's why I've always been active.
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I am extremely rebellious. I have this strong, defiant spirit.
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In March 1950, in New York City, I was married to Marietta Soffer. We have three children: Vilhelm, Tomas, and Margrethe.
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I went to public school my whole life. It was a performing arts school, so I can't say if it was a typical experience or not, because it's all I know.
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When I became governor, spending actually increased 28 percent my first term. Revenue increased 42 percent my first term without raising anybody's taxes. We did it because we had more taxpayers with more taxable income. That's how you get the revenue up. We did that without raising anybody's taxes.
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I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.
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For myself, I think that those who cultivate wisdom and believe themselves able to instruct their fellow-citizens as to their interests are least likely to become partisans of violence. They are too well aware that to violence attach enmities and dangers, whereas results as good may be obtained by persuasion safely and amicably.
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I try to be very much in control when it comes to work. I have a strong work ethic.
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My first two books did nada. I ended up paying the publishers.
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Many people die with their music still in them. Why is this so? Too often it is because they are always getting ready to live. Before they know it, time runs out.
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I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
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I was ashamed to let anyone know that I was living in a shelter. I remember one time coming home and some kids saw me and were like, "What you doing here? This is a shelter!" But I was like, "My mom's working there." It was pretty embarrassing.
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I am working again on my painting 'Moscow' 'Moscow I' ('Mockba I'), 1916. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.
