Jemima Khan Quotes
There's a theory about fame: the moment it strikes, it arrests development. Michael Jackson remained suspended in childhood, enjoying sleepovers and funfairs; Winona Ryder, an errant teen who dabbled in shoplifting and experimented with pills; George Clooney, a 30-year-old commitment-phobe, never quite ready yet to settle down.
Quotes to Explore
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Twitter is an amazing thing; it brings footballers closer to the fans because so many of them are on there. I was cynical about it to begin with, but I have been converted.
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The biographical novel is a true and documented story of one human being's journey across the face of the years, transmuted from the raw material of life into the delight and purity of an authentic art form.
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I didn't consciously make the decision to write an adult novel. I didn't think of it as my riposte to the YA genre.
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To supply people for ages in camps makes no sense... you have to rebuild that cabana that they rent out to tourists on the weekend. They need help getting their fields repaired and their boats repaired.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
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Producing all my own songs and refusing to go to the hot producer. That's the biggest risk I've taken so far.
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I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles – normal people notice that kind of stuff, but a certain kind of person will do some calculations.
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'Idol' was groundbreaking television. I am very fortunate to have won the show at the time. 'Idol' changed my life, and I am thankful.
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I'm not graceful.
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I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
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I don't think being an athlete is unfeminine. I think of it as a kind of grace.
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I will fight 'GGG,' and I will beat 'GGG,' but I will not be forced into the ring by artificial deadlines.
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Despotism is a long crime.
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When I was young I had an apprenticeship as an engineer.
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I would like to be a one-man multinational fashion phenomenon.
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I always liked No. 10 because I loved Zidane. He was my role model. I always wanted to play like him.
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I have lots of memories of my father. He was an incredible father. We all loved him to death.
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Competition helps people figure it out.
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It's interesting that these themes of crime and political corruption are always relevant.
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I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
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Writing is something I've always done on the side. I thought that no one would be interested, so I kept it to myself.
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There's a theory about fame: the moment it strikes, it arrests development. Michael Jackson remained suspended in childhood, enjoying sleepovers and funfairs; Winona Ryder, an errant teen who dabbled in shoplifting and experimented with pills; George Clooney, a 30-year-old commitment-phobe, never quite ready yet to settle down.
