Jemima Kirke Quotes
But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.
Quotes to Explore
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In reality, throughout your career, you have to make yourself interesting enough for people to be waiting to see your films. In my case, people are longing to see what I come out with next. That's my success.
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It's hard for me to talk about Dom right now because I am Dom right now. So it's a really strange exercise to try to reflect on something that I am at the moment. But I guarantee you that when I'm done with the movie and you ask me that question, I'll be able to give you something insightful.
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If there were a major earthquake in Los Angeles, with bridges and highways and railroads and airports all shut down and huge buildings collapsing, I don't care how much planning you do, the first 72 hours is going to be chaotic.
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My parents were very supportive of me and my artistic endeavours. My father and mother came to every school play I ever did.
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A damn independent boy; independent as a hog on ice.
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Each of the bracelets I wear is from a long trip I've taken. One is from Nicaragua. One is from Nepal. One is from Guatemala. One is from Laos. They don't come off. I walk into a lot of very high-level boardrooms now, and I present to distinguished conferences, but these bracelets remind me of the places I've been and the people I've met.
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When we talk about the minimum wage, we have to ask ourselves what it is that we owe both our workers and employers. I think clearly we owe them fairness.
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There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
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It should take you 15 minutes to make a song, and then get out of there.
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I would wear entirely one color: tutus, furry pants. It was totally outrageous. My family was deeply embarrassed to be seen with me.
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I grew up in a little town in Minnesota, 500 people. I went out to Princeton, and I wasn't very well-accepted out there by the fancy folks of Princeton University, I felt. I came away bruised and feeling rejected.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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A big reason I'd spent my career as a writer and not a public speaker is that I am a person who refines my worldview in a silent room, waiting for my thoughts to arrange themselves on the screen before me.
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The reason why men do not obey us, is because they see the mud at the bottom of our eye.
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We have been learning since we were children how to make money, buy things, build things. The whole education system is set up to teach us how to think, not to feel.
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The importance of the arts to the societies in which they thrive is well documented.
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North America was ready for something other than a vanilla cooking show and we were providing the double dark chocolate fudge.
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I came out the box and for seven years I had a huge career. And then it's done, it's dumped. But I ain't gone, and I refuse to be gone.
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What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
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I find it beautiful when we're in Italy that everybody sits down at the table together. My mother-in-law is like, 'It doesn't matter what's going on in the house, who is fighting, who is upset, who has appointments, you sit down at that table at one o'clock.'
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I'm not really a piano player, but I play enough to get away with it.
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I just try to tell a story rather than present an open diary to the world.
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I believe in lust at first sight; I don't know about love. For me, I think it takes more than a glance. But who knows? Maybe it'll happen.
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But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.
