Jennifer Connelly Quotes
I pick different projects for different reasons. Usually, it's a combination of things. I admire the director, and I am interested in working with the director. Or, it's the cast. I can be moved by the story. The ideal situation is you love the director and you love the cast.

Quotes to Explore
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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Golf was never a religion to me.
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I definitely go with the flow because I feel like I have been so lucky, and so many things have happened to me that just never should have happened.
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I could sum up the future in one word, and that word is 'boring.' The future is going to be boring.
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Think and grow rich.
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On the night of the winter solstice, when the dead get their annual reprieve, they go up to the 24-hour donut shop and wedding chapel to get hitched. Marriage is a good and proper pursuit for dead people. For a while, it relieves the dark, shuddering loneliness of the afterlife.
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When the Islamic revolution began in 1979 under the leadership of Ayatollah Khomeini, it aroused considerable admiration in the Arab street. It presented a model of organised popular action that deposed one of the region's most tyrannical regimes. The people of the region discerned in this revolution new hope for freedom and change.
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There are wonderful restaurants in London. I love Indian food and I like Arab food, and I go very often to the Arab restaurant Noura.
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There's so much innovation going on, and there are lots of people funding that innovation, but there's very little innovation on that infrastructure for innovation itself, so we like to do that ourselves to help companies create more tech companies.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I just like seeing the world, and it doesn't matter where.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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A job is just a job at the end of the day, and work sometimes comes from the most unlikely places.
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The best thing I did was to choose the right heroes.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I would be concerned if any speech to Congress related any information that's new to the president of the United States.
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If you don't know where you are going, you might wind up someplace else.
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It's interesting, the things you learn when you're 21. I learned never to get tattoos in the middle of shooting a movie. Because if you're not Angelina Jolie or Megan Fox, they will fire you.
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I'm not talented enough to drop everything and become somebody different.
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For me, writing is really an agony. I feel as if I have a huge, luminous idea that has the potential to be really profound, and then when I set it down on paper, I find the power of the idea has been hugely weakened in the process of transmission.
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I don't know that Islam has ever been a subject of anything that I've written. I think Muslims have often been, but those are two very different things.
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Almost all stress, tension, anxiety, and frustration, both in life and in work, comes from doing one thing while you believe and value something completely different.
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I pick different projects for different reasons. Usually, it's a combination of things. I admire the director, and I am interested in working with the director. Or, it's the cast. I can be moved by the story. The ideal situation is you love the director and you love the cast.