Jennifer Egan Quotes
If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
Quotes to Explore
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I got lucky. I won the San Francisco Stand-Up Comedy Competition in 1977 while I was still at San Francisco State.
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I had to work with a psychiatrist.
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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What surprised me about the Oscars was how familiar it was - because you're in the room with all these people that have inspired you from your childhood to adulthood in the film industry. It feels like you've known them all of your life.
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As a child, I loved fairy tales because the story, the what-comes-next, is paramount. As an adult, I'm fascinated by their logic and illogic.
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Young people do not watch television; they are on the Internet.
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I have great faith in fools; self-confidence my friends call it.
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Music is almost like a therapy for me. It helps keep me centered and think straight. Before I discovered it, I was walking around, and it felt like there were 25 extra pounds of gravity on my shoulders. It's like you're mute or something.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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If you substitute marijuana for tobacco and alcohol, you'll add eight to 24 years to your life.
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The vision must be followed by the venture. It is not enough to stare up the steps - we must step up the stairs.
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I drink Diet Coke from the minute I get up to the minute I go to bed.
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I want to lay all my cards out on the table and walk away with no regrets.
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I don't like it when a woman looks like a fashion victim.
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I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society, any film that deals with humanity is necessarily political.
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I will not say anything about my father. Period. I don't have a dad.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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Going out for a meal, especially for young urbanites, is less about socialising over enjoyable food than about enjoying food as a way to socialise.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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Academia is very flexible, but I had a spouse who was very committed to being a completely full partner in our marriage. I think if you counted up how many hours each one of us logged in, he certainly gets more than 50%.
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In all our associations; in all our agreements let us never lose sight of this fundamental maxim - that all power was originally lodged in, and consequently is derived from, the people.
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In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.
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It was my dad's idea to change my name from Sahatciu to Ora. He said it would be easier to pronounce.
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If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
