Jennifer Hyman Quotes
When choosing vendors for my wedding, I intentionally searched for women who were at the beginning of their own founder journeys.
Quotes to Explore
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At the beginning of all experimental work stands the choice of the appropriate technique of investigation.
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The message I like to convey to women and girls across the globe is that there is no glass ceiling.
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I realize now that I've hoped to be great - as an actress, as a mother - because I want to embody the greatness of women who didn't get to be all they could have been. Their dignity, their courage, and their brilliance make me strive to be better. They're a part of me.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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The more insight I get, the more scared I get of women in general.
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Women basically want the same thing - a good passionate story, a great fantasy - and for our partners to do the laundry and the washing up.
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I don't look like Brad Pitt or Tom Cruise. When you put me on the screen, the women don't want to make love to me, and the men don't want to be me.
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I'm the one who often makes the 'Murder, She Wrote' reference, and ABC hates that, they don't want me to do that. And I say that having never actually watched 'Murder, She Wrote'. I think people have been trying to compare it to crime shows that are on right now, and all I can do is listen. I don't watch a lot of TV.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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I use filming as an excuse to take classes. I got my certification in sailing for 'Wedding Crashers,' and now I can handle a 26-foot boat. I played a seamstress once, so I took sewing classes. I love dipping into these other lives.
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British women can be slightly more reserved; Scottish are a little more crazy and fun, and American are more forthright, which I really enjoy.
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'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
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The most difficult and complicated part of the writing process is the beginning.
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The faces of most American women over thirty are relief maps of petulant and bewildered unhappiness.
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Women want to feel wanted. Men want to feel needed.
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For a long time, society put obstacles in the way of women who wanted to enter the sciences.
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I started to think of Grace of Monaco as a metaphor for women in general.
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There are lots of women I look up to, but mentors are someone you talk to and not just admire. A lot of my friends that I trust are my mentors.
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I see when men love women. They give them but a little of their lives. But women when they love give everything.
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Almost six years ago, before I was given the incredible opportunity to be in 'Leaving Las Vegas,' I was going through a long period of artistic confusion. I'd spent years doing work that hadn't pushed me enough, and I was beginning to wonder if I had any talent.
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I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.
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When choosing vendors for my wedding, I intentionally searched for women who were at the beginning of their own founder journeys.
