Brock Osweiler Quotes
My mentality is that no matter how good or bad the previous play was, move on to the next one.
Quotes to Explore
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Free people make the only milieu possible in society for the full gift of one's self to church, state, and family. Free people enjoy and sustain and feel with one another because they live for one another. The paths of life are intermingled lives.
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Things are looking up, and hopefully, I will be doing good roles in both Hollywood and Bollywood.
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I say I have Spanish in me, but I'm not just Spanish. I'm proud of my ethnicities, and I will always be proud of being a Filipino.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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Orrin Hatch was the keynote speaker at the last meeting of the Association of American Editorial Cartoonists. He sought me out because he was a fan. I was thinking he had confused me with someone else.
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I don't feel under pressure to work because I love what I do and I wanted to do the projects that came my way.
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Since grief only aggravates your loss, grieve not for what is past.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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I love meeting interesting people and doing things with them.
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The spiritual reality of the Indian world is very evident, very highly developed. I think it affects the life of every Indian person in one way or another.
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If a literary man puts together two words about music, one of them will be wrong.
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It's funny, because I have periods where I just kind of go dark. I don't tweet, I don't talk, I don't interview, and then I have times where I do.
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After six years at Le Cirque, I decided to start my own business. I opened Daniel at 76th Street in May '93.
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What you wear onstage is a reflection of your artistry.
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Character builds slowly, but it can be torn down within incredible swiftness.
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There are people doing yoga in New York, dancing around; that's the power of India. You go to a nightclub somewhere in Spain and there's Amitabh Bachchan on the screen there, dancing around. That's the power of India. That's the power of Indian people.
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I've come to the realization that you can entertain people both through making them laugh and making them feel. You can be quiet, and they can feel, and you will have scored as well.
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Giving a break to yourself and the audience, once in a while, is good.
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Critics can be your most important friend. I don't read criticism of my stuff only because when it's bad, it's rough-and when it's good, it's not good enough.
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My mother and grandmother... they were my first muses. The way they dressed and carried themselves was an education in elegance. They defined the word.
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My mentality is that no matter how good or bad the previous play was, move on to the next one.
