Culture Club Quotes
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Karma chameleon: we come and go, we come and go.
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The band never actually split up - we just stopped speaking to each other and went our own separate ways.
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I'm very uncomfortable with the idea of vaginas. They bother me in the way that spiders bother some people.
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I wear makeup and dress this way because I think it makes me look better. I am not doing it to get people to stare at me. If I wanted to do that I could just put a pot on my head, wear a wedding dress, and run screaming down the street.
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You're lucky if you reach the point where you go, "OK, I have a wonderful life ...I fly around the world, stay in beautiful places, people are generally quite sweet to me, what's to complain about?" But I think you have to get there... And it's taken me the best part of 54 years to reach that point where I'm like, "I'm very lucky, I'm lucky, I'm blessed" - all of those things. I wish I could impart that to other people but I think when you're young, you just don't listen.
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For me, touring is about looking after myself.
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I just go in my back garden. It's the only place where people don't come and bother you.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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What happened during the previews of 'Taboo' musical was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.
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Madonna is 'a living, breathing cash register'.
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Warren Street was at the high end of the New Romantic scene. They were mostly college art students and people who knew top designers.
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I was pleased because he is the first American rapper to say something positive about gay people. I met his mum, she's lovely.
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A lot of Donna Summer and things that maybe weren't trendy anymore or weren't hip in gay clubs but you'd hear them at Taboo.
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I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
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Comparing Madonna with Marilyn Monroe is like comparing Raquel Welch with the back of a bus.
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Personality is a real aphrodisiac, when somebody is charming or funny. I think certain jobs attract certain types of people.
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I'm not gay, and I'm not a transvestite.
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The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn't care.
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A difficult crowd will always test your true ability.
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Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara - things that you probably shouldn't like.
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Leigh Bowery would create fake guest lists and put the most ridiculous names on them - Joan Collins, or really naff soap stars who would never grace the door of Taboo.
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There's this illusion that homosexuals have sex and heterosexuals fall in love. That's completely untrue. Everybody wants to be loved.
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What's really sad is that a lot of very talented people are being forced to do things that are very embarrassing and I don't intend to be one of them.
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Sex has never been an obsession with me. It's just like eating a bag of crisps. Quite nice, but nothing marvellous.