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Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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I try to exist in a world where there is freedom of opinion, where you're allowed to make jokes. I don't want to live in some PC world where no-one's allowed to say anything.
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I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.
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Certainly for me, when punk exploded in the 1970s, it was just great. We had these wonderful clothes to wear. We could do great things with our hair. We had protest badges that read "I belong to the Blank Generation." It was such a great time to be a kid.
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I absolutely admit I had him in the handcuffs so he wouldn't go anywhere while I checked the computer... I certainly wasn't going to kill him. That's hardly going to do my career any good, is it?
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I think being individual in the show business is what gives you life and longevity.
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I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh Bowery and I were associated.
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I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
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I was unwelcome in the U.S. for four years.
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I'm much more careful now about who I let into my life, but I don't think you could ever change what you're attracted to. You can make choices if you want to be with those people.
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A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.
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Remember that I was out of the closet at the age of sixteen. My parents knew I was gay; I'd had to tell them.
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I suppose there is a lot of toughness in me.
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I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
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You get the odd person in social media that will write something nasty and the trick is not to engage with them on any level.
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I always feel that my whole life is representing the LGBT community. It's kind of what I do all the time.
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I have the best job in the world. There's not really a lot to moan or whine about. I've got the privilege of going out and doing something I absolutely love.
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My God is better than your God
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Leigh [Bowery] affected a posh English voice and elongated his vowels, and you never knew if he was being sincere or mocking you. If I ever commented on one of his outfits he would snip, "Oh, thank you, Mr. Boy George. I do value your opinion." And then he would spin and make some ridiculous noise and mince off.
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I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
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On Madonna: She's a gay man trapped in a woman's body.
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Everything I think in life is about context and intention.
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I mean, Justin Bieber, Taylor Swift, Ariana Grande, I think the young kids sell lot of records. But for an older kind of artist, more of a sort of heritage, vintage type of artist, you have to think outside the box.