Culture Club Quotes
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For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.
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Remember that I was out of the closet at the age of sixteen. My parents knew I was gay; I'd had to tell them.
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I am what I am. There's nothing I can do about it.
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You have to watch what you eat.
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Certainly for me, when punk exploded in the 1970s, it was just great. We had these wonderful clothes to wear. We could do great things with our hair. We had protest badges that read "I belong to the Blank Generation." It was such a great time to be a kid.
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I think people could be a bit friendlier. The only real contact you have with people is when they're annoyed if you've had a party - you know, it's been a bit too noisy for them or something.
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I suppose there is a lot of toughness in me.
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I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
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I mean, Justin Bieber, Taylor Swift, Ariana Grande, I think the young kids sell lot of records. But for an older kind of artist, more of a sort of heritage, vintage type of artist, you have to think outside the box.
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I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
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I absolutely admit I had him in the handcuffs so he wouldn't go anywhere while I checked the computer... I certainly wasn't going to kill him. That's hardly going to do my career any good, is it?
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A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.
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You get the odd person in social media that will write something nasty and the trick is not to engage with them on any level.
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Don't talk about things you don't like. Talk about music that you love, books that you've read. I put a lot of recipes online.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
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Part of me looks at the gay movement now and worries that we're losing our individuality.
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I was unwelcome in the U.S. for four years.
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
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For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion - even sexy - despite being overweight by conventional standards.
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On Madonna: She's a gay man trapped in a woman's body.
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Everything I think in life is about context and intention.
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I've had to write in a different way because I'm not in a bad place and I'm not heartbroken, so there's no one I want revenge on.
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When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.