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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music. So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time. You had disco going on behind punk. You had Michael Jackson. You had the Sex Pistols.
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Drugs became an obsession, like Culture Club had been, like religion later became although I'm through with that now.
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I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
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I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
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Don't talk about things you don't like. Talk about music that you love, books that you've read. I put a lot of recipes online.
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Certain punk bands were influential because I thought, If they can do that then I can .Hanging around those bands was how I started my first band - In Praise of Lemmings.
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I suppose there is a lot of toughness in me.
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Leigh [Bowery] affected a posh English voice and elongated his vowels, and you never knew if he was being sincere or mocking you. If I ever commented on one of his outfits he would snip, "Oh, thank you, Mr. Boy George. I do value your opinion." And then he would spin and make some ridiculous noise and mince off.
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You get the odd person in social media that will write something nasty and the trick is not to engage with them on any level.
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Getting older is experience but it's also changing your mindset.
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I think being individual in the show business is what gives you life and longevity.
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I mean, Justin Bieber, Taylor Swift, Ariana Grande, I think the young kids sell lot of records. But for an older kind of artist, more of a sort of heritage, vintage type of artist, you have to think outside the box.
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I was unwelcome in the U.S. for four years.
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You have to watch what you eat.
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I am what I am. There's nothing I can do about it.
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My God is better than your God
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I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
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Everything I think in life is about context and intention.
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A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.
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I think people could be a bit friendlier. The only real contact you have with people is when they're annoyed if you've had a party - you know, it's been a bit too noisy for them or something.
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Part of me looks at the gay movement now and worries that we're losing our individuality.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
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I have the best job in the world. There's not really a lot to moan or whine about. I've got the privilege of going out and doing something I absolutely love.