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There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.
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I have a big thing about needing to know that I belong - in my group of friends, in my family, in my industry.
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I loved pretending to be a middle-aged Jewish woman. I just wanted to do what I saw Gilda Radner and Carol Burnett doing. But I'm not a particularly good impressionist. It was never my strong suit.
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I like dressing like I'm going on a date when I'm on stage.
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Back at high school, there was this quarterback who asks me out. He's never paid attention to me before, but now we're on this date, going to see the 'Sixth Sense.' And right before the climax, he leans in - and I'm so excited, because I think we're going to French-kiss - and then he tells me the twist. He completely ruins the movie for me.
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I wanted to be in New York because I wanted to be on 'SNL.' I spent a lot of time wanting to be on 'Saturday Night Live' as a kid. That's what I wanted.
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Don't use a pick-up line.
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I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.
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'Obvious Child,' the short, had a nice life online and a great festival run, but the short and the feature still stand apart from everything else I've done. I play a woman who you might meet in life. My other work is much more heightened.
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It's important to say that it's not just men that can be man-children. Women can be grown-up women and still have the playfulness of people who are younger.
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I know sometimes my Twitter feed is intense, but I take it as a friendly void to scream into. I don't have another way to be.
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It makes a lot of sense to me that I would be a cartoon. I feel like a cartoon as a person. I really, really do.
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I think it's important to not just speak to like-minded people.
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It's important to say women are complex.
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You are not waiting for your life to start. It's going on right now.
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I think my friends would say I'm pretty goal-focused but whimsical.
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When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
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I think that there have been a lot of fear-based assertions that feminism is about aggression, and that is incorrect and untrue. Feminism is about equality; that's what it's about.
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I had some friends that went to this hypnotist to stop smoking, and I kind of love things that seem magical. And I liked that it was in Santa Monica, and I had to go near the ocean to get my brain washed out or whatever. So I went there. And I went on a Thursday, and I got hypnotized.
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I just really like it when things are earnest.
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I didn't hit puberty until I was, like, 17, so I love to talk about that.
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I just want to be able to be creative.
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For some reason, I never watched Lifetime but just discovered it. I was like, 'Oh, it's all rom-coms!'
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That time when you're waiting for a job can be the most impactful and important time because you develop your preferences as a person. Knowing what you like will make you more confident. And then you'll stand out.