Jens Lekman Quotes
I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
Quotes to Explore
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When I lived in Greece and off the coast of Italy, I enjoyed a branzino dish so much that I created my own version.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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Writers have an opinion about the world and offer arguments about the world. They should offer contemplation.
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Whenever I dream about flying, it's the best feeling in the world.
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The way I was raised, family was always the most important. When I had our first daughter, Natasha, I knew that's what I wanted to do.
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I'm very close with Bob and his lovely, fabulous wife Catherine, too.
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I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly, it's my job, and people are asking, 'Where's the record?'
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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In Germany I am not so famous.
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I was born and brought up in the countryside. I used to live in a sort of converted stables on the grounds of a castle, and I spent a lot of my childhood running around with a pretend sword pretending to be Robert the Bruce.
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I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.
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Anybody that's been in an election, you're always looking to get the upper hand.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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Women are sacred.
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I like it when I am in the middle; I am closer to the ball. The manager wants me to pass, to make assists, create chances, and I do more because I think the position is more central, and I don't ask all the time for the ball at my feet.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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Everyone comes with dreams and illusions and promises. Everyone wants quick deals. They don't want to invest.
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Pop music can absorb so many peculiar talents, ranging from the completely nonmusical poseur who just uses music as a kind of springboard for a sense of style, to people who just love putting all that complicated stuff together, brick by brick, on their computers, to people like me who like playing conceptual games and being surprised.
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I write for young people because I like them and because I think they are important. Children's books can be mind-stretchers and imagination-ticklers and builders of good taste in a way that adult books cannot, because young people usually come to books with more open minds. It's exciting to be able to contribute to that in a small way.
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I am sure that never was a people, who had more reason to acknowledge a Divine interposition in their affairs, than those of the United States; and I should be pained to believe that they have forgotten that agency, which was so often manifested during our Revolution, or that they failed to consider the omnipotence of that God who is alone able to protect them.
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You don't pick who you fall in love with. There are so few people to love. It's hard for one adult to even like another. Almost impossible.
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My definition of beauty is happiness. I believe that when you are happy, it shines through and makes you a more attractive and beautiful person!
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I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
