Jens Lekman Quotes
I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
Quotes to Explore
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When I lived in Greece and off the coast of Italy, I enjoyed a branzino dish so much that I created my own version.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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Writers have an opinion about the world and offer arguments about the world. They should offer contemplation.
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When civilization takes a nose dive, how can you look away? You've got to be there. You've got to be at the bottom of the swimming pool taking notes.
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Whenever I dream about flying, it's the best feeling in the world.
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The way I was raised, family was always the most important. When I had our first daughter, Natasha, I knew that's what I wanted to do.
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I'm very close with Bob and his lovely, fabulous wife Catherine, too.
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I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly, it's my job, and people are asking, 'Where's the record?'
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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In Germany I am not so famous.
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I was born and brought up in the countryside. I used to live in a sort of converted stables on the grounds of a castle, and I spent a lot of my childhood running around with a pretend sword pretending to be Robert the Bruce.
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I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.
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Anybody that's been in an election, you're always looking to get the upper hand.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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Women are sacred.
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I like it when I am in the middle; I am closer to the ball. The manager wants me to pass, to make assists, create chances, and I do more because I think the position is more central, and I don't ask all the time for the ball at my feet.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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I think a girl looks good when she wakes up with nothing on her face.
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I love playing 'Madame Vastra.' Although I do suffer, spending three-and-a-half hours in make-up every morning to have her lizard skin put on. I was so excited the first day when we did the make-up test, but after six hours, I was like, 'Can we finish now?'
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I'm not a traditional sonero, at least not in the way they want me to be, I'm an interpreter, and I reach people in a different level.
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People, when they first come to America, whether as travelers or settlers, become aware of a new and agreeable feeling: that the whole country is their oyster.
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I cannot tell you how many people, powerful people, come to my studio and they are in tears they are so moved by what they see.
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I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
