Jens Lekman Quotes
I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
Quotes to Explore
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When I lived in Greece and off the coast of Italy, I enjoyed a branzino dish so much that I created my own version.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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Writers have an opinion about the world and offer arguments about the world. They should offer contemplation.
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When civilization takes a nose dive, how can you look away? You've got to be there. You've got to be at the bottom of the swimming pool taking notes.
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Whenever I dream about flying, it's the best feeling in the world.
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The way I was raised, family was always the most important. When I had our first daughter, Natasha, I knew that's what I wanted to do.
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I'm very close with Bob and his lovely, fabulous wife Catherine, too.
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I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly, it's my job, and people are asking, 'Where's the record?'
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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In Germany I am not so famous.
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I was born and brought up in the countryside. I used to live in a sort of converted stables on the grounds of a castle, and I spent a lot of my childhood running around with a pretend sword pretending to be Robert the Bruce.
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I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.
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Anybody that's been in an election, you're always looking to get the upper hand.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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Women are sacred.
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I like it when I am in the middle; I am closer to the ball. The manager wants me to pass, to make assists, create chances, and I do more because I think the position is more central, and I don't ask all the time for the ball at my feet.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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I'm really close to my family, and we talk through things.
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My style can't be held within a pixel medium. Like, it needs to be performed in a living, breathing space. People need to have all their senses ready to take on my comedy, and unfortunately, TV alienates at least their sense of touch, taste, smell.
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I learned [playing Chuck Berry] that there's something to be said for the courage of conviction, that sense of belief, being bold enough to believe in your vision. And there's a quote that really fits his particular energy. It says - they say don't go where the path may lead, but go where there's no path and leave a trail. I think that's exactly what Chuck did, you know. It's an inspiration to a lot of folks, not just musicians, but people everywhere.
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I was a fighter and very determined. There was no way I was going to back out without winning.
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When we first get to space, we feel sick. Your body is really confused. You're dizzy. Your lunch is floating around in your belly because you're floating. What you see doesn't match what you feel, and you want to throw up.
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I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
