Jens Lekman Quotes
In the past, I used to rely on the randomness of working with samples, which was a good way because it threw you in a completely different direction. You just thought, 'What if I take this samba drum and combined it with an '80s synth line or something from this record?'
Quotes to Explore
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Picking up a guitar brought a lot of balance into my life.
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I am the only one in my family to graduate college. It was a proud moment for me to receive a degree.
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One of the banners I would put up in front of any American president and new administration is 'Do not overreact to your predecessors' policies.'
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The lurking suspicion that something could be simplified is the world's richest source of rewarding challenges.
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When the Islamic revolution began in 1979 under the leadership of Ayatollah Khomeini, it aroused considerable admiration in the Arab street. It presented a model of organised popular action that deposed one of the region's most tyrannical regimes. The people of the region discerned in this revolution new hope for freedom and change.
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It may not always be easy, convenient, or politically correct to stand for truth and right, but it is the right thing to do. Always.
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One of my favorite episodes was the one in which Homer grew hair. That was a very unique episode, since there was a gay secretary, but that wasn't even the issue of the show-the issue was Homer's image changing because he had hair.
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Once I had started film, I suddenly said, 'Wow, I love it.' I moved there from New York. But I've always gone back to the theater, and it is more satisfying, really, because you get to give a continuous performance - no sequels.
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There's a good deal in common between the mind's eye and the TV screen, and though the TV set has all too often been the boobtube, it could be, it can be, the box of dreams.
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Being a woman and being gay is really a unique position in our society. I know in my experience of activism, oftentimes it makes a difference if something is women-focused. It's likely to get the attention of women much more easily.
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Certain subjects may no longer be taboo in cinema. But there are ways to treat them that still create shock.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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In Shakespeare, unique individuals repudiate the stereotypes demanded by the structure of the play: Shylock commands our sympathy, Barnardine refuses to be hanged. Individuals trump the category.
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The best thing I did was to choose the right heroes.
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Whenever I visited China in the past, the relationships always felt superficial; there was no time where I felt those moments of conflict and delight that make you feel close to another person. But since I started touring there in 2004, I would always collaborate with local musicians, and that opened up a new level of intimacy.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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I never wanted to write. I just wrote letters home from a kibbutz in Israel to reassure my parents that I was still alive and well fed and having a great time. They thought these letters were brilliant and sent them to a newspaper. So I became a writer by accident.
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We have to understand in value what the services of nature are so that we can understand that degrading them is an irreplaceable resource that no amount of money or human ingenuity can replace.
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But it's also because of something personal. My mother and father met while playing chess, so I've always had a fondness for the game. If it weren't for chess, I might not be here.
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Japan is very cosmopolitan - it values its origins, but a world view hovers above this narrow perspective. The interest of the Japanese in their folk culture is transcendental.
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Grown-ups have developed an unpleasant habit of comforting themselves for their degradation by pretending that children are childish.
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I've learned in my life that it's important to be able to step outside your comfort zone and be challenged with something you're not familiar or accustomed to. That challenge will allow you to see what you can do.
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The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
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In the past, I used to rely on the randomness of working with samples, which was a good way because it threw you in a completely different direction. You just thought, 'What if I take this samba drum and combined it with an '80s synth line or something from this record?'
