-
I went to Legoland in Denmark when I was five, I think, but I went to Germany when I was 17 to have a little adventure after graduation.
Jens Lekman -
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
Jens Lekman
-
I really do believe in clearing samples, and I believe that people should be compensated for them, but the laws are just so stupid.
Jens Lekman -
For me, it's sort of like a cultural democracy or musical socialism to take a stand and get out of the major cities if you can.
Jens Lekman -
I grew up in the '90s and remember the lyrics back then were so abstract and open to interpretation. That always drove me crazy.
Jens Lekman -
Australia's beautiful, but I'm not too into Australian culture.
Jens Lekman -
It's not difficult getting into the charts in Sweden. It's a very different musical climate, and in a very good way, I think, because artists like Jose Gonzalez or The Knife can actually get on the charts.
Jens Lekman -
It's weird talking about the album as a living being with its own thoughts and direction, especially if you're the one creating it.
Jens Lekman
-
I've started listening to music in a new way after I started running. When it comes to running, I really got into the idea of track listings that way, too.
Jens Lekman -
In the past, I used to rely on the randomness of working with samples, which was a good way because it threw you in a completely different direction. You just thought, 'What if I take this samba drum and combined it with an '80s synth line or something from this record?'
Jens Lekman -
I would love to hear Marilyn Manson's fans or something, what their stories would be like.
Jens Lekman -
If you come to the conclusion that there is no conclusion, well, that's a conclusion, too.
Jens Lekman -
Hmm... at some point when I was making 'Postcards,' it struck me, what the underlying themes for the record would be. It would be about choices, fears and doubts, and it had an existentialist theme to it.
Jens Lekman -
I feel like it's my responsibility not to leave the listener in a pool of dread.
Jens Lekman
-
Any band that doesn't have a sense of humor has a little bit of a problem.
Jens Lekman -
It always feel like people are doing more grown-up things than you are.
Jens Lekman -
I actually have all these tapes, from when I was five, from when I was 10, and from when I was 15, that don't really have to do anything with each other, but they're sort of archeological in my musical history.
Jens Lekman -
I found a favorite chord, which is B flat 7 - that's my favorite chord.
Jens Lekman -
I was in my early 30s, and I longed for real friendships and real relationships, and I started asking myself why I didn't have that. I had a couple of male friends, but every time I would hang out with them, it felt like there was something keeping us apart.
Jens Lekman -
I think South Korea was one of the best shows I've ever done in my whole life. The people there were crazy. It was literally Beatlemania.
Jens Lekman
-
I wanted to write songs about other people because I was sick of myself, basically. I didn't like myself very much. 'Ghostwriting' became an outlet for that. And then I could get back to get Jens Lekman again.
Jens Lekman -
If there's two things I will never do, it would be grow a beard and pick up the uke again.
Jens Lekman -
Of the times that I've been able to overcome a fear, it's been by making it something that I can understand, that I can hold on to - just something that's more tangible.
Jens Lekman -
My first single was based around the mishearing of the words 'make believe' - 'I thought she said maple leaves.' That kind of stuff is very central to my music and my life.
Jens Lekman