Jeremy Grantham Quotes
As a professional, you can afford to pick some stocks and be wrong about a few of them. To keep your job, you cannot take the risk of being seen to be wrong about the 'big picture' for very long.
Quotes to Explore
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If I was involved with the NFL, I'd seriously consider adopting some of the rules used in Canada. I've heard, unofficially, of course, some NFL club owners have talked about adding a feature or two. The NFL went for the two-point conversion. Professional sport is entertainment, and the CFL, I believe, is ahead of the NFL in that regard.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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The best job goes to the person who can get it done without passing the buck or coming back with excuses.
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My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
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I never went after fame. It fell into my lap.
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In the Foo Fighters, my main job is to be the drummer, and that's enough.
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Nothing personal - I am just doing my job.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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I don't have a job, so I sit in the studio all the time and think of stupid stuff to do.
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Because our fight has been for such a long time we are isolated from the world, even after reconstruction we don't have much attention from people outside.
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The product of the scientific imagination is a new vision of relations - like that of artistic imagination.
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Most estimates of the mortality risk posed by asteroid impacts put it at about the same risk as flying in a commercial airliner. However, you have to remember that this is like the entire human race riding the plane - it is one of the few risks that really could wipe us all out.
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It's not just in Hollywood that women run the risk of being passed by once they reach 50. It happens in real life, too.
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Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
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I work with brands that I personally connect with or personally use. For example, I was already driving the Suzuki Hayabusa long before I started endorsing Suzuki.
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I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
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If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.
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People in the East Conference are starting to see how good the twins are. They make my job easy. I just go to the net and look for holes and they keep finding me.
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The terrorists whatever slogans they use have nothing in common with Islam.
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And hey-the psychiatrist in the show is Italian also. So people are going to focus on what they want to focus on. There's not much you can do about that.
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I think, on any given day, somebody could help out a homeless person and cuss out somebody that cut them off in traffic, and I think that everybody has that inside them: it's just how you live that balance - so I think everybody is 'Wretched and Divine.'
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That dichotomy between the public consumption of the work and my intent and practice in making it is an uneasy one for me, on occasion.
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As a professional, you can afford to pick some stocks and be wrong about a few of them. To keep your job, you cannot take the risk of being seen to be wrong about the 'big picture' for very long.
