Plutarch Quotes
Themistocles said that a man's discourse was like to a rich Persian carpet, the beautiful figures and patterns of which can be shown only by spreading and extending it out; when it is contracted and folded up, they are obscured and lost.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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People are like, 'Was it hard growing up mixed?' 'Did you not fit in?' and I'm like, 'No? What? That's the dumbest question ever.'
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Children are educated by what the grown-up is and not by his talk.
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Death in its natural state can be very beautiful. When you think about a body that's died of natural causes - family taking care of it - all of that is very beautiful.
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My roots are in stand-up, and stand-up is very freeing. There's no script involved; you just fly.
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Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
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I've put up with more humiliation than I care to remember.
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Every little girl looks up to her mom so much - that's your first hero.
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Many may look at me and see mostly what I have lost. I struggle to speak, my eyesight's not great, my right arm and leg are paralyzed, and I left a job I loved representing southern Arizona in Congress.
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Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
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To have a relationship that is pure and passionate and beautiful - I think people are scared of having that now. Especially guys.
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.
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I think you would find almost anyone who stands up for their patent rights has been called a patent troll.
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You know your children are growing up when they stop asking you where they came from and refuse to tell you where they're going.
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If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.
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In spite of what some people claim, we are not in a post-racial era. I think it's still an important issue to bring up.
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Fifty-nine cents. For years, I wore a button - '59 cents.' Many of my colleagues wore it also. The purpose was so that people would come up and ask, 'What does '59 cents' mean?' One could then launch into a discussion about how women working full time in the U.S. earn 59 cents for every dollar earned by men.
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I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
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Criticism is prejudice made plausible.
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If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.
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I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
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Themistocles said that a man's discourse was like to a rich Persian carpet, the beautiful figures and patterns of which can be shown only by spreading and extending it out; when it is contracted and folded up, they are obscured and lost.
