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I don't really dissect too much when ideas come - they just kind of pop into my head; I just take them and run.
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One thing I have that the majority of other designers don't is humor. That's distinctly my approach, and it was distinctly Franco Moschino's, too.
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I feel like we have to fight for art.
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McDonald's, Barbie - they're all icons, recognizable from London to Timbuktu.
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I've taken a look back at my body of work and tried to deduce an essence, capturing aspects that reoccur. Reflecting on your own product can be difficult yet enthralling.
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I was Hillary in '08. I love Obama, but I was Hillary first, so I was happy to be back there with her again.
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You don't have to be born wealthy and have an aristocratic last name or have connections or all these things. If you have a dream, you can believe in something and work hard and struggle and fight for it and still have a chance to succeed.
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'What if this funny-looking youngster from Missouri is talented after all?' I think it was a nice place to grow up, but I'm glad I don't live there anymore.
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For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
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When I design, I always pull from things that are significant to me. In my work, I search for happiness and then try to convey that joy in the clothes.
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There's a lot of fashion that I don't respond to and I just walk on. I always look for things that make me happy, and in my work, all I'm doing is trying to convey that joy. Fashion should always be fun.
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I was in heaven when I saw Taraji P. Henson wearing Moschino!
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Even as exuberant as my style is and as over the top as I may be, I can appreciate a classic when it's really well done.
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I grew up on a farm and didn't have connections, and I had a dream that I believed in, and I felt passionate about it, so if I can instill hope into somebody too with the film, that's what I most want.
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I softened in my old age.
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I don't care if the critics don't like me. I want to be the people's designer, like Diana was the people's princess.
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I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
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There have been a lot of challenges, but I'm still standing on my own, and it's quite an achievement knowing that I own my own business and created my own success through hard work and vision.
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I was born dirt-poor with barely a stitch on my back, and no name or prestige attached to me, and no real clout or connections.
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When Jackie Kennedy wanted to wear her favourite European designers, she was told no. She had to start working with brands like Adolfo, who had to create Chanel knock-offs because that's what she wanted to wear.
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I'm a populist. I'm the people's designer... It's important that there are price points that allow people in who maybe don't have the ability to have higher-ticket items - but they can still have something very emblematic of the collection.
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Fashion is an ultimate luxury - I mean, you don't need it - so it should bring you pleasure and make you happy. I don't like the idea of people revering it.
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When I was born, my family was so poor that there was no money to buy food. So the church bought groceries for us - there wasn't any kind of privilege.
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I don't really shop unless it's thrift.