Jerrod Carmichael Quotes
You know, 'Cheers,' you didn't have to leave the bar because what they were saying in the bar was important. 'All In The Family' is the same rule. On 'The Golden Girls' they didn't have to leave the table. And 'Friends' - the coffee shop. You can contain it if it's interesting.

Quotes to Explore
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I love ABC Family!
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Remember that the most valuable antiques are dear old friends.
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I've been a fortunate girl: I grew up in a family that loved me from day one. I feel well grounded and lucky from that. So everything else is a bonus, because I grew up in this family that I adored, and adored me, and I think when you have that, you are already ahead of the game in the sense of how you feel about yourself.
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I did not grow up a cinefile. No one in my family was in the film business or even anything close to it.
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I make a mean cup of coffee, if you give me the right ingredients.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I moved to Lucerne, where I have lived happily with my family ever since.
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Our family is very tight. Just like any family, we have our ups and downs, but the love is always going to be there. I try to go to my parents' house as much as I can.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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I realise how important it is to use the time I have. I respect people who want to do that by watching television. I happen to want to read books. But I know I can't read all the books or watch all the movies in one lifetime.
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I was taught as a young child by my parents and family to love myself.
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'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my own family had got its foothold in Australia.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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I think luck is a great part of it because I think that the particular makeup of the person that you are attracted to, and that you fall in love with, is very important. Even down to that old bromide of a sense of humor and all of that.
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I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.
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Being a father is the most important thing, if you ask me. It changed me as a person and gave me an all new life.
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Someone once told me be interested, not interesting - that really clicked for me.
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I missed my home - like the physicality of my home, I missed my friends and my family mostly and just hanging out and being in your home country - culturally it feels right and that is what I miss.
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My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.
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I bought a place in Milan, but Missoni headquarters are out in the country, in Sumirago. My whole family eats out of the same vegetable garden; my mother raises chickens. I love the city, but if you're always bombarded with stimulation, you get numb to it. I need to get bored to create.
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If we can fall in love with serving people, creating value, solving problems, building valuable connections and doing work that matters, it makes it far more likely we're going to do important work
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We come from a generation where the music was very innovative, a lot of it coming out of blues and influenced by blues: the idea was that you would jam on things, and you'd try things out. You took a journey, and you took a left turn, and you experimented live right there in the moment.
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I refused to learn English for two years when we moved to London, hoping to send my family back home. It was tough, but at the same time, it has given me a sense of displacement that actually really suits the life that I'm living now.
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You know, 'Cheers,' you didn't have to leave the bar because what they were saying in the bar was important. 'All In The Family' is the same rule. On 'The Golden Girls' they didn't have to leave the table. And 'Friends' - the coffee shop. You can contain it if it's interesting.