Rachel Cusk Quotes
Quotes to Explore
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I don't like the word 'experiment' in the context of art in general. It implies something immature, unfinished, something entertaining for a moment before it becomes irrelevant.
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It is often said by religious people that without its framework, there is no sense of right or wrong. My view is that religion comes after ethics.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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I think I've got some more big plays left in me.
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I'd never written a novel before, and I wrote a novel, and that turned out OK.
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It's unfortunate biologically we have to sleep.
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I just wish that people will be kinder to me when I pass away.
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Too many times, the international community has not prepared the post-conflict period in time.
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I feel very, very lucky that George has got a little sister.
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I will fight 'GGG,' and I will beat 'GGG,' but I will not be forced into the ring by artificial deadlines.
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Violence is a tool of the ignorant.
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I would've been a really big silent movie star.
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Is your remarkably sexist drivel intentional, or just some horrible mistake?
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Intolerance is alien to Hinduism.
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I don't understand labels. I don't need anybody to tell me I'm Latina or black or anything else. I've played characters that were written for Caucasian females, I just want to be given the same consideration as everybody else, and so far that has been happening.
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You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, 'I have lived through this horror. I can take the next thing that comes along.' … You must do the thing you think you cannot do.
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As we continued upward, I thought about how adults sometimes complain that kids only think about ourselves, but it's not true. We care a lot about other people, but most times, we don't have the power to change things for them.
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I don't know if nature is a direct literary influence on my writing, but it is certainly important to me. I take great joy in writing about it. It is something I have taken with me from my childhood; the body exposed to the threat of the physical world and at the same time being at home in it.
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So much of memory comes from the beginning of our lives when we know the world for the first time with a kind of clarity. It is that discovery of the past in the present on which a writer depends again and again as if our lost childhoods, like the surprising cyclamen plant, are forever opening new blossoms.
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It's an addiction. I love clothes. I like to go down Melrose and look in all the windows and I go to different flea markets. I have lots of costumes. You never know when you're going to have to dress up like a milkmaid from the 1600s.
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Childhood, after all, is not an ending, but rather a state full of potent curiosity.
