Jerry Harrison Quotes
I had previously been in the band the Modern Lovers with Jonathan Richman.
Quotes to Explore
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I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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Don't change a thing. That's one of the best gimmicks a band could ever come up with.
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There are a tremendous amount of environmental issues that are on the table.
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'The Unity Band' project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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There was one point in high school actually when I was on the chess team, marching band, model United Nations and debate club all at the same time. And I would spend time with the computer club after school. And I had just quit pottery club, which I was in junior high, but I let that go.
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I go into military communities and do fundraisers and that kind of thing with the band, because I know that the music can help do a lot of things. It can bring communities together, it can raise awareness... and it entertains.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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I'm my own worst critic and I think everyone in the band is a perfectionist.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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What you hear about the band is always going to be more disturbing than any particular song.
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Steven Adler and I played football in the street when we were 12. I remember rehearsing in my bedroom with my first band, and some kid climbed over the fence of my backyard and peeked his head in the window to see who was rocking. It was Slash.
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There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched.
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I don't play the bass. I'm not in a band. I tried to think of ways I could touch base with the troops and support what we're doing.
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My mom actually had a band called Six Pack - even though there were seven of them - who went around Chicago performing popular songs. Her voice was like Gladys Knight mixed with Aretha Franklin.
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I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
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Quite often, little germs of ideas have come from something that I've observed or someone's told me. The process of it becoming fiction is expanding and extending it: stretching the rubber band of reality.
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I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
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Too much self-centered attitude, you see, brings, you see, isolation. Result: loneliness, fear, anger. The extreme self-centered attitude is the source of suffering.
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Yes, Obama took over two wars from Bush - just as President Richard Nixon inherited Vietnam from President Lyndon Johnson and President Dwight Eisenhower inherited Korea from President Harry Truman. But at least the war in Iraq was all but won by 2009, thanks largely to the very surge Obama had opposed as a senator.
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The thing that I enjoy about animation is the fact that it is unbridled, and there are no boundaries; when you are in the room, you don't have to focus on your clothing, make-up, hair, your choreography or your blocking; you really do have total freedom.
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I think, as directors, they may recognize, more than the rest of the body of filmmakers, exactly what you do as a director, because I think sometimes the conception is if the camera isn't swinging around, and it's not pyrotechnic or worthily melodramatic, then the direction is uninvolved.
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My father had owned a ranch when he was younger, in Montana, and he remembered riding his horse across the prairie and seeing some large bones sticking out of the ground. He was enough of a geologist, being a sand and gravel man, to have a pretty good notion that they were dinosaur bones.
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I had previously been in the band the Modern Lovers with Jonathan Richman.
