Jerry Leiber Quotes
Our songs did not transcend being R&B hits. They were R&B hits that white kids were attracted to. And if people bought it, it became rock & roll. That's marketing. Why couldn't it still be R&B? The bass pattern didn't change. The song didn't change. It was still 'Yakety Yak' and 'Searchin'.'
Quotes to Explore
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Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
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Where trade unions are most firmly organized, there are the rights of the people most respected.
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These are people who are capable of devotion, public devotion, to justice. They meant what they said and every day that passes, they mean it more.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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I was very pleased, obviously, to have outsold great writers. But I'm not insane - I do realise that I am a popular writer who people buy to take on vacation.
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People only see what they are prepared to see.
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I wouldn't recommend being a musician to anyone. It's not glamorous. It's a lot of being dirty, not eating, playing for five people and one of them is the bartender.
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I'm not very cool. I have a really hard time meeting people and stuff.
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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
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Second, we also got a more authentic liturgy of the people of God, in the vernacular language.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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The fact that the internet is so active; people can now speak to me indirectly.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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When people accept breaking the law as normal, something happens to the whole society.
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It seems like the real television networks, the amount of people that watch each network is going down and down, and the amount of people that watch each website is going up and up.
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A lot of people feel that there is less artistry involved in cartoon making unless they have painstaking control of each frame.
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I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.
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I know Bo Xilai well. But our relationship was based on our work; we didn't have a personal relationship.
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I believe that we must maintain pride in the knowledge that the actions we take, based on our own decisions and choices as individuals, link directly to the magnificent challenge of transforming human history.
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Our songs did not transcend being R&B hits. They were R&B hits that white kids were attracted to. And if people bought it, it became rock & roll. That's marketing. Why couldn't it still be R&B? The bass pattern didn't change. The song didn't change. It was still 'Yakety Yak' and 'Searchin'.'
