Jerry Saltz Quotes
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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I thought of the soul as resembling a castle, formed of a single diamond or a very transparent crystal, and containing many rooms, just as in Heaven there are many mansions.
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If you think Wall Street has a short memory, you're dead wrong. No, the folks who work on Wall Street, regulate Wall Street - and, above all, invest in its wares, notably its hedge funds - don't have a bad memory. They don't have any memory at all.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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Fortunately there is more wealth in the world than there was at the time of the global economic crisis of 1929 - Chinese, Indian, Arab and Russian.
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I'm not denying that it's exciting to have a play on Broadway.
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I work hard, and I do good, and I'm going to enjoy myself. I'm not going to let you restrict me.
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Architecture is how the person places herself in the space. Fashion is about how you place the object on the person.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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Eazy-E is going to remain Eazy-E. But I will not portray Compton as a bad city.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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Many men start being friendly with women because they are trying to seduce them. I'm not trying to seduce them. I just like hanging out with them.
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A cap on carbon is important because it sets a specific goal for reducing carbon emissions 80% by 2050.
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Contemporary architects tend to impose modernity on something. There is a certain concern for history, but it's not very deep.
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I have to be very careful about diet and exercise.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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I've never loved you enough to trust you, we just met and I just fucked you!
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Name anything - high-definition TV, computer obsolescence - and I'm pretty much annoyed by it.
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Finding out exactly what went wrong is key toward preventing future debacles.
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The scariest thing is to go into a new situation for myself, and yet I have a job where I do that every few months, meet a hundred new people, and then have to perform in a very highly pressurized environment.
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I'd like to take more pictures of real celebrities. It would be fabulous to photograph Brad Pitt. He's so good-looking and just such a star.
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There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
