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I love my community. I love always being able to come back and have a home.
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I'm from a small town on the bottom edge of Mississippi, very near New Orleans and the Louisiana border. My family has lived there for generations.
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I live in the South; there are Confederate flags everywhere.
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I think that fiction has a certain power.
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I'm always curious about other writers' routines.
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Sometimes, you get tired of fighting. I think you just sort of come to this realization that yes, that you will get tired, but that doesn't mean that you can give up the fight.
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My mother helped to integrate the local elementary school in the nineteen-sixties.
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'The UnAmericans' is a compassionate and brilliantly rendered debut - and for a book set largely in the past, these stories feel essential to understanding the contemporary world in which we live.
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I didn't start really focusing on writing until I was 24.
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There's so much I love about home, but then there's a lot that I can acknowledge that I dislike about home. And acknowledging that to myself helps me see that place more clearly and to bring readers to that place.
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I worked with several writers at the University of Michigan: Nicholas Delbanco, Peter Ho Davies, Eileen Pollack, Laura Kasischke, and Thomas Lynch, who told me the same thing over and over again: Persist. Read, write, and improve: tell your stories.
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Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
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There was something so empowering about having President Obama in office because I know that for many of us, that's something that we never thought that we'd see in our lifetime.