Jess Glynne Quotes
Quotes to Explore
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Whatever work you do, you think are you doing this for the good of the nation? That's the basic training. The other basic training is discipline. Your life should be disciplined. The other thing they say is what work you get, do it well.
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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I wanted to bring back that big, ballad type of music that we used to love so much. Whitney Houston, Mariah Carey, when they first came out, that's what I grew up singing.
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I think Nick Markakis is a perennial All-Star, and nobody knows about him. I think people are learning about how good he is.
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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A good procrastination should feel like you're inserting lots and lots of commas into the sentence of your life.
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As you get older, you overthink and can talk yourself out of anything. It's good to be a bit reckless and experimental.
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I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
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Good investors must learn to contextualize the daily background noise.
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Sometimes in the morning, when it's a good surf, I go out there, and I don't feel like it's a bad world.
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In my opinion, whenever you get two guys who want to fight each and two guys who want to be in a good fight, you let them fight.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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I don't write music for critics or hipsters. I write for me.
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Everything is sweetened by risk.
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Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I'd love to do more theatre and acting. I attended a performing arts high school in London, and it would be great to be able to put all of that training to use again.
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I love to sing and make music because it makes me feel good.