Gabriel Basso Quotes
Quotes to Explore
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There is an incredible love in creating art unless somebody is saying, 'Hey, let's just make money,' because it doesn't work when you do it that way. If you are aiming for that, forget it.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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So the darkness shall be the light, and the stillness the dancing.
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Modesty means admitting the possibility of error, subsuming the self for the good of the whole, remaining open to surprise and the gifts that only failure can bring. There are many ways to practice it. Try taking up golf. Or making your own bagels. Or raising a teenager.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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When I listen to President Obama speak to and about women, he sometimes sounds too paternalistic for my taste.
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A good scare is worth more to a man than good advice.
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Fame and fortune are as hard to find as a lightning strike.
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Pummeling an answer out of someone never works. You cannot intimidate someone with aggressive language and think they'll be more forthcoming... that's a caricature of interrogation, part of the TV culture of what it looks like.
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The world is indeed a mixture of truth and make-believe. Discard the make-believe and take the truth.
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In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.
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Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
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Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
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Having two kids, I don't get out to see stand up much anymore.
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I don't talk about political matters. That's not my department.
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The falsification of scientific data or analysis is always a serious matter.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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When you have a chance to play a character people can relate to, it's rewarding.
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Changing my name has been like a formal rite of passage.
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If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
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Everybody has a right to be defended, and every lawyer has a duty to defend people accused. And my office is to defend him, to discuss the accusation point by point, as I think this is a normal step in a democracy.
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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My main point here is that if you are the child of God and God is a part of you, the in your imagination God suppose to look like you. And when you accept a picture of the deity assigned to you by another people, you become the spiritual prisoners of that other people.
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I work with people like Spielberg and Abrams all the time.
