Jesse Eisenberg Quotes
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All of my pleasures are guilty, but that's just the way I'm wired.
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I meet people who are in movies, and the stuff that they write is terrible, but nobody tells them that because they're famous. So I worry that my stuff might be like that, too.
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I cried every day of first grade. In class. Which meant I ended up getting comfortable emoting in a place where it wasn't the norm.
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I grew up in an apolitical household. I never left the country. When I became an adult, I started traveling and became interested in politics, and I probably talked about things in a silly, ignorant way.
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I often think if you have time to sit around the house feeling bad for yourself, you have time to tutor a child. I'm guilty of that exact thing. I will spend more time sitting around feeling bad for myself than actually helping somebody.
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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I'm not on Page Six, because I don't have anything salacious happening in my life... unfortunately.
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In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
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My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
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I don't concern myself with thinking ahead to the finished product. I focus more specifically on what the character is experiencing. Once you relieve yourself of the very arbitrary and always punishing pressure of what an audience is expecting you to do, acting becomes a lot more fun and pure.
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And I'm sure after Facebook it will be the little cameras that we have implanted into the palms of our hands and we'll be debating whether we should get them, and then we'll all get them.
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As an actor, you have to be open to doing things where you look stupid, to be experimental.
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Society will decide after the technology is created what we will and won't accept.
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I had great difficulty in school interacting with others, and I took refuge in the contrived setting of play acting, which is what I still do.
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I guess the more serious you play something, if the context is funny, then it will be funny and it doesn't really require you to be necessarily, explicitly humorous, or silly.
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Actors dread working with studios because they dictate what you do in a way that independent movies can't.
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I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is.
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The movies that are really big, at least in my experience, oftentimes don't have characters that I feel as personally connected to.
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It's so nerve-wracking to be on a set. They're the most stressful place in the world, because you're making something permanent, and there are so many people relying on you in a lot of ways.
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You can tell when you watch a movie, usually, what the actors' experience was on the movie, because even the smallest of roles were interesting.
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The only way to be turned off to being famous is to be famous.
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When you are in a live-action movie, you have so many more options to express yourself. You can use your body and your gestures and facial expressions. When you are doing an animated movie, you really only have your voice.
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The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
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When playing a role, I would feel more comfortable, as you're given a prescribed way of behaving. So, both Facebook and theatre provide contrived settings that provide the illusion of social interaction.