Jessica Pare Quotes
I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
Quotes to Explore
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I made my first movie when I was five.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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Every time a football player goes to ply his trade, he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play.
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I see myself not only as a football player, but an entertainer and icon.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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Most experiences are either sensual or intellectual. Chamber music, played by a small group so the listener can follow what each player is doing, is both.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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I'm not the first player to have their home Grand Slam and not perform. There have been a few Australians and French players, you name it. It's a tough thing. But it is one of those things. Would I rather have a Grand Slam in my country than not? I would.
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When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
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Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way.
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There's always chatter about a 'Chuck' movie. So nobody's opposed to it. It's just a matter of getting everything lined up.
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If you look at a multi-player game, it's the people who are playing the game who are often more valuable than all of the animations and models and game logic that's associated with it.
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The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
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'E.T.' was the movie that made me want to make movies in the first place, and it was the first movie that made me focus on writing instead of what happens in the movie.
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It was a great pleasure to make a movie again. Nothing is better; perhaps revolution, but there you have to succeed and be right, dangers which never attach themselves to making movies, and dreaming.
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You always fear when you're making a movie that has a moral to the story that people are going to reject the idea of being taught a lesson.
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The optimum frequency with which comedians should do a series is every year. I do one every three years. My audience is literally dying off.
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I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!
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I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
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I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
