Jessica Pare Quotes
I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
Quotes to Explore
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I made my first movie when I was five.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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'The Pianist' is a movie I could watch over and over again.
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Every time a football player goes to ply his trade, he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play.
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I see myself not only as a football player, but an entertainer and icon.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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Most experiences are either sensual or intellectual. Chamber music, played by a small group so the listener can follow what each player is doing, is both.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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I'm not the first player to have their home Grand Slam and not perform. There have been a few Australians and French players, you name it. It's a tough thing. But it is one of those things. Would I rather have a Grand Slam in my country than not? I would.
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When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
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Every other movie is one of those action things. I mean, 'Lost in Space'? A bunch of good actors running around shooting at special effects on a soundstage? I took my kids to see that and felt like I was on an acid trip.
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There are great legends and great fighters in the history of Mexico, and there will be more to come.
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I've been so lucky to work with some great, great writers: Tony Kushner and Yasmina Reza.
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It's all about being flexible, and avoiding choices whenever possible. Choices suck, they are inherently limiting.
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I feel that no one should be ashamed or have fear or doubt within themselves when they speak about the roots or Africa wherein I and I originate from. It's like an individual who tries to disown himself, and to me, it is a form of defeat by disowning yourself.
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I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
