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I did an A Level in Theatre Studies and had a really inspirational teacher, and then I just went on to university.
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I'm certainly not squeamish at all. The countryside makes you very aware of birth and death.
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I always knew that the only thing I wanted to do was act, but it took me a long time to say it out loud to anyone, let alone myself. I am surprised by how dogged I have been in wanting to make a living as a respected actress.
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I have a gorgeous coat that I found at a vintage fair - it's just so elegant. Unfortunately, it has a massive hole underneath the arm, as I think I may have worn it to death!
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On stage, I find anger at the unfairness of the world easily.
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Normally, I'm the one fawning over the man, but in 'Call The Midwife,' I'm the experienced woman.
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You know that book 'Quiet: the Power of Introverts in a World That Can't Stop Talking', by Susan Cain? That's like my manifesto. The older I get, the more I think I could be a hermit.
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For any role, I pretty much always go to the script, first and foremost.
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I've been thinking recently about all the qualities you need in order to be an actor. First and foremost, you've got to have a thick skin and give out an 'I don't give a monkey's what you think' kind of vibe, while at the same time really caring what everyone thinks. You've got to be tough and sensitive at the same time.
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I have always appreciated vintage clothing, but after working on 'Call the Midwife' for six months, I love moving away from vintage in my day-to-day wear.
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Schedules on TV are so tight, and it feels like they get tighter and tighter with every passing year. The idea of asking where your character's come from or where they grew up - you would just get a little bit laughed at.