Harold Rosenberg Quotes
How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
Quotes to Explore
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So people think I'm lying about my age all the time? It's the records that are wrong. I've never told anyone how old I am. The minute they ask me, I say 'That's none of your business.' So that means I've never once lied about my age. Now that's true!
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Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
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There is an incredible love in creating art unless somebody is saying, 'Hey, let's just make money,' because it doesn't work when you do it that way. If you are aiming for that, forget it.
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I don't like going to the gym because I don't like being with people I don't know in that intense environment.
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The search for knowledge is a long and difficult task.
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Boating on the lake is one of my favorite summer activities.
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Human attention is limited, and a massive number of newly browsable books from the long tail necessarily compete with the biggest best-sellers, just as cable siphons audience from the major networks, and just as the Web pulls viewers from TV.
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If past history was all there was to the game, the richest people would be librarians.
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Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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Vice is a creature of such hideous mien... that the more you see it the better you like it.
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For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
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I'm happy pretty well anywhere on this big, beautiful planet.
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I do two months of strict dieting, so after fight night, I go for whatever my body is craving. It's usually sushi. But after that, I go home to Guadalajara and indulge in a lot of tacos before I have to start getting in shape for another fight.
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Well, youth is the period of assumed personalities and disguises. It is the time of the sincerely insincere.
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I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
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I literally left school and went straight into music via art college for a year, and I've been so involved in my job of writing songs that the more actively involved part became channeled into standing on the stage and saying things that way.
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George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!
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When I wrote 'Your Republic Is Calling You,' it was Franz Kafka's writing that I had most in mind, and James Joyce's 'Ulysses.' Entirely out of the blue, Kafka's characters receive an order to go somewhere, and when they try to comply, they never quite manage it. Ki-yong in 'Your Republic Is Calling You' is precisely that sort of character.
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I have shifted my mindset in terms of how companies should... focus on building amazing products. If you have amazing products, the marketing of those products is trivial.
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Fear not of men because men must die. Mind over matter and soul before flesh.
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How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
