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I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.
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There is a kind of mysticism to writing.
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Sometimes a book influences me because it winds me up. There'll be something that gets under my skin and makes me think that I can do better.
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When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music.
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Television has become the government, priest, psychotherapist - the legitimiser of our egos.
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Standard English is very imperialistic, controlled, and precise; it's not got a lot of funk or soul to it.
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I'm a failed musician rather than a successful writer.
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Writers in Britain aren't really celebrities. You become kind of a darling of a small set.
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'True Detective' was the last show I got crazy about, with its 'Silence of the Lambs'-style landscape and those strip mall badlands of America.
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Bad luck is usually transmitted by close proximity to habitual sufferers.
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Ah thought that every cunt over twenty was a toss an no worth speakin tae, until ah hit twenty. The mair ah see, the mair ah think ah wis right. After that it's aw ugly compromise, aw timid surrender, progressively until death.
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Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.
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Ah've never felt anything about countries, other than total disgust. They should fuckin abolish the lot of them. Kill every fuckin parasite politician that ever mouthed lies and fascist platitudes in a shell-suit and a smarmy smile.
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We want to feel hyper-alive, and it's like, the more cartoonish and grotesque the level we can operate at, the better. It's like the world we live in has become quite safe in a lot of ways, and it has become harder to genuinely transgress. But the desire to transgress is a real feeling.
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That's all very well as an abstract moral principle, Avril, a coffee-table theoretical construct, but there's no denying the sheer gratuitous pleasure to be derived from seeing members of the ruling class in pain and torment.
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Rents once sais, thirs nothin like a darker skin tone tae increase the vigilance ay the police n the magistrates: too right.
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Funny scene, likesay, how aw the psychos seem tae ken each other, ken what ah means, likes?
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Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know?
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That cunt Nietzsche wis wide ay the mark whin he sais ah wis deid. Ah'm no deid; ah jist dinnae gie a fuck. It's no fir me tae sort every cunt's problems oot. Nae other cunt gies a fuck so how should ah? Eh?
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How many shots does it take before the concept ay choice becomes obsolete?
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He had noted that with older people. They often try to control younger, more popular and vivacious people; usually due to the fact that they are jealous of the qualities the younger people have and they lack. These inadequacies are disguised with a benign, protective attitude.
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The rhetorical question, the stock-in-trade weapon ay burds and psychos.
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There's nothing worse than a violent beating from an unremarkable person. Physical violence with someone is too much like shagging them. Too much id involved.