Jim Bishop Quotes
The reporter is the daily prisoner of clocked facts. On all working days, he is expected to do his best in one swift swipe at each story.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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I feel comfortable whenever I step on the floor.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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Fame can be annoying, but there are perks too.
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I've always found that no matter how much you spend on a movie - you can spend sixty dollars or sixty million dollars - if the movie's good, it's good.
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I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.
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When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.
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Anyone who has played the game professionally, you're always taught that the ball is the most important, most precious thing, so when the ball hits the ground, it's always a mad scramble. It's amazing how many times there is a fumble, and the person who recovers it initially doesn't walk away with the ball.
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You leave old habits behind by starting out with the thought, 'I release the need for this in my life'.
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There's no second chance on stage, and I was trained to make the most of my first chance.
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While I was serving in the Florida Senate, American soldiers were being killed in Iraq, a war we should have never started, and often by Iranian proxies and their improvised explosive devices.
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Giving only 50% of your fortune is not enough.
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I received a call from Jets general manager Mike Tannenbaum and head coach Eric Mangini. They asked me if I was ready to become a New York Jet. I quickly answered 'yes' and began to hug everyone at the table.
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I was so horrifically bad at tennis.
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Only a free West can help the prisoners of today's left- and right-wing dictatorships.
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I'm here today because I refused to be unhappy. I took a chance.
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When I admitted I needed to grow old as a woman, it was a relief.
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I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once.
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I look at athletes in all sports and try to picture what kind of football player they'd be, what position they'd play and so on.
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If you don't know what your family stands for and what your life situation is, you're in trouble.
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To me, a multi-cam is just like the feeling you get from the audience.
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In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face. And that's really not a good instinct with a 'Daily Show' field piece, where it's supposed to be an interview.
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The reporter is the daily prisoner of clocked facts. On all working days, he is expected to do his best in one swift swipe at each story.
