Jhumpa Lahiri Quotes
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I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
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War will bring the revolution; revolution will stop the war.
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He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.
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My parents had an arranged marriage, as did so many other people when I was growing up. My father came and had a life in the United States one way and my mother had a different one, and I was very aware of those things. I continue to wonder about it, and I will continue to write about it.
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Still, there are times I am bewildered by each mile I have traveled, each meal I have eaten, each person I have known, each room in which I have slept. As ordinary as it all appears, there are times when it is beyond my imagination.
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With children the clock is reset. We forget what came before
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It is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
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Gogol remembers having to do the same thing when he was younger, when his grandparents died...He remembers, back then, being bored by it, annoyed at having to observe a ritual no one else he knew followed, in honor of people he had seen only a few times in his life...Now, sitting together at the kitchen table at six-thirty every evening, his father's chair empty, this meatless meal is the only thing that seems to make sense.
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We are all #humans and we all make #mistakes. We #hurt people even if we don't want to.
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There were times Ruma felt closer to her mother in death than she had in life, an intimacy born simply of thinking of her so often, of missing her. But she knew that this was an illusion, a mirage, and that the distance between them was now infinite, unyielding.
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For that story, I took as my subject a young woman whom I got to know over the course of a couple of visits. I never saw her having any health problems - but I knew she wanted to be married.
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And yet she could not forgive herself. Even as an adult, she wished only that she could go back and change things: the ungainly things she’d worn, the insecurity she’d felt, all the innocent mistakes she made.
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She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.
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I would not send a first story anywhere. I would give myself time to write a number of stories.
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Somehow, bad news, however ridden with static, however filled with echoes, always manages to be conveyed.
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It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.
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Ive inherited a sense of that loss from my parents because it was so palpable all the time while I was growing up, the sense of what my parents had sacrificed in moving to the United States, and yet at the same time, building a life here and all that that entailed.
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She supposed that all those years of loving a person who was dishonest had taught her a few things.
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In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
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When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
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I dream of writing a book like LOVERS some day. It is so spare but so rich. It is history made intimate, and a masterpiece of compression.
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And wasn't it terrible, how much he looked forward to those moments, so much so that sometimes even a ride by himself on the subway was the best part of the day? Wasn't it terrible that after all the work one put into finding a person to spend one's life with, after making a family with that person, even in spite of missing that person...that solitude was what one relished the most, the only thing that, even in fleeting, diminished doses, kept one sane?
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Relationships do not preclude issues of morality.