Kailash Kher Quotes
I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.

Quotes to Explore
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It is not possible, given any degree of optimism and generosity in regard to people in general, to set a time limit on creative reflection or a limitation on the number of people involved in the creation.
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If conservationists will attempt to resume responsibility for their need to eat, they will be led back fairly directly to all their previous concerns for the welfare of nature.
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Let a hundred flowers bloom.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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Even in this globalised world, London is still the standard for our times. The city has embraced the world's diversity and represents the finest in human achievements.
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Somebody once told me I shouldn't try to change Hollywood. That isn't my point at all. I don't want Hollywood to change me.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.
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It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
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I grew up in a cloistered, conservative culture that adhered to strict gender roles. So it's easy to understand why the 'girl dressed as a boy' trope resonated so much. In a world that didn't want to give people like me adventures or significance, books with cross-dressing girls were treasures.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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I met will.i.am in the studio and played him a couple of songs and he liked them. We're similar but there's nobody in my lane doing what I'm doing.
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I love dresses, and I've definitely thought about designing them someday. I just want to make sure that I wait until the time is perfect and I can do it right.
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The thing that I really look for in people is enthusiasm and excitement and, not to sound really sappy, that fire in their eyes.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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We got a little waylaid along the way. The whole problem started about 10 years ago with management and legal battles, then still trying to make albums while I was doing all of that.
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If you go back to 2001, the market had two violent short covering rallies then, although I know the market didn't officially get going until March 2003.
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For me, 'Far Beyond Driven' just had an oomph that kicked it over the edge and just pure aggression. And I always appreciated that.
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I think, in general, it's better not to respond to reviews of your work.
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I work for him despite his faults and he lets me work for him despite my deficiencies.
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I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.