Jill Sobule Quotes
Quotes to Explore
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I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
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I learned that despite having years and years of experience in math and computer science and so on, I didn't really know how to code until I formed a company.
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You don't stay married for thirty-nine years because of sex or even because of love, but because your partner is a real friend to you, because they respect and regard you.
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I search for surprise in my architecture. A work of art should cause the emotion of newness.
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Ohio has long been an embarrassment to charter-school supporters nationwide, with its trail of scandal and graft and abysmal student performance.
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I wanted a personal-finance tool for people who didn't want to be accountants: something you could set up in ten minutes and spend less than five minutes a week on. Mint is now that tool.
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I am not one of these guys who works job after job after job.
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I suspect I was not the first 21-year-old who thought he knew more than he did. And one of the virtues of age, one of the virtues of getting married and becoming a father, is it often leads one to take a more measured approach to life.
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My original project was called 'The Wheel'; there's a record out there called 'Desire & The Dissolving Man,' 'The Memory Of Loss' as well. There's also 'Falling Faster Than You Can Run,' also 'Closer'; all of that's on our website.
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Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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We must not let daylight in upon the magic.
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They are more beautiful than anything in the world, kinetic sculptures, perfect form in motion.
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In the Depression we had to divert corn acreage.
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I did a lot of ridiculous television. Between 1980 and '85 I had no confidence, so I did everything I was told to do.
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I still haven't found the humor in getting hit by a cement truck. My knees still hurt when I think about it, so no jokes about that yet.
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I see myself as sexy. If you are comfortable with it, it can be very classy and appealing.
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Anytime I met an actor, I just attacked them and said, 'How did you do this?' Eventually, I began to realize that you went to school for it. I wasn't a bright kid, so it took me a long time to figure that out.
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You get what you're good enough to take.
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Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.
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It's weird. I don't really have goals. I just try to make sure I'm enjoying what I'm doing. Once I start to get sick of it, the next thing becomes obvious.
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The Guthrie Theater is a beast. It has 1,300 seats, and I couldn't act there. I always felt I was acting too small. I'd always have to fight to get the gumption to act bigger. There's a weird trick to it. You don't want to overwhelm the first six rows. You don't want to starve the back. I could never get it.
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I think probably the scariest thing, as weird as it sounds, was 'The Wizard of Oz' and the flying monkeys with the witch. I remember seeing that - it still seems freaky.
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I was a weird kid.
