Maureen O'Hara Quotes
Quotes to Explore
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I wanted to be an author for as long as I can remember.
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The main concern of the study is with the outline of a theoretical system. Its minor variations from writer to writer are not a matter of concern to this analysis.
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I know only two tunes: one of them is 'Yankee Doodle', and the other isn't.
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Japan is already a leader in energy efficiency, and it has a wealth of innovative technologies. We must put this expertise to use creating a model for growth and sustainability that we can share with the world.
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I need a spiritual connection - I can make changes, but I can't make miracles - and I need people around me who'll support me and believe in me and tell me the truth and not let me deceive myself into avoiding the what's scary and hard and necessary.
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Theater is where you go to find out something new that you don't know. It goes through somebody's brain and comes out in a comprehensible way that is beautiful, that's really interesting.
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Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
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Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
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I had my guitar and some talent so that I could make friends with intelligent people and could talk my way out of difficult situations.
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If we can put together a Mexican businessman and a U.S. businessman, they will find a way to do more business.
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As fathers, we all have great lessons to teach our children.
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In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'
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I'm not a dark person at all, so those roles are the most challenging. I don't think I'm necessarily drawn to dark things. It just seems to work out that way.
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I was so unhealthy. I used to go to 'Cold Stone Creamery,' get a tub of Butterfinger ice cream, and eat it all before bedtime. And my fingers were permanently stained orange from Cheetos.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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Being an entrepreneur does, of course, give you greater freedom than someone who is tied to a fixed work schedule, but you'd be mistaken to think that you're going to have it easier than your 9-5 counterparts.
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I just like doing my job.
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I believe education is much more important than we assume.
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You're standing onstage in a sold-out arena with people singing your music, and you feel like the loneliest person in the world. Because here's a party that, essentially, it's for you. And you still somehow feel like you don't belong there. Those people all have their lives and go back home.
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If your family loves you, you're fine. What you can't grow up without is love.
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I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
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Man does not fear death, only the suffering.
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The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
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When you try to battle with John Ford, you have to give in.
