Bruno Maag Quotes
The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous.
Quotes to Explore
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I always get scared. I can't read scripts. I'm scared, scary movies and stuff.
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I've always exuded some connection to my sexuality even as a kid. So to me, being sexy means staying connected to that part of me.
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As artists, we're always going to like the songs we just now made over the songs we made a year ago.
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I didn't only have a perceptual problem, I was also so nervous and so upset. The process just didn't work. I lost enthusiasm for school and I flunked second grade. The teachers said I was lazy.
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The good books stick around for a reason. There is a reason that we come back to them and they are so rewarding.
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I'm still very much in the apprentice stage of writing. I read somewhere that you need to write a million words before you know what you're doing - so I'm headed that way, but I'm nowhere near there.
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I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
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People say I look like a vampire. I don't know whether to take that as a compliment or not.
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I felt privileged to be a facet of such a jewel in the crown of American cinema.
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Sorrow is a fruit. God does not make it grow on limbs too weak to bear it.
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I have prepared myself to be at my peak in London. But in the Olympics, there are so many factors. You need to stay alert all the time, and a lapse of concentration, even for a second, will let you down.
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At our best, it's a good experience but we do 22 episodes a year, so there are some clunkers.
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I do believe in soulmates and happy/successful marriages. No marriage can be happy 24x7 for 365 days. Both partners have to make the relationship work, is what I believe in.
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I wrote 'All is Lost' while editing 'Margin Call'. I did that long before I knew if I was ever going to get to make another movie.
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I commend Chris Brown and Soulja Boy for going out there for so many years and entertaining the people.
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With art and the work you do, it has to be constantly dictated by what you're feeling and where you want to go with it.
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To me, still my favorite 3D film is 'Dial M for Murder.' I thought that was great. Hitchcock used it, could put you in the room, which I thought was fantastic, but I'm still not a devotee of 3D.
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But [Jonsson] did all the Scandi kind of style to it and put the kitchen extension on.
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When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
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I do hope the success of 'Ms. Marvel' will open doors for other characters and other creators.
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The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous.
