Bruno Maag Quotes
The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous.
Quotes to Explore
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I always get scared. I can't read scripts. I'm scared, scary movies and stuff.
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I've always exuded some connection to my sexuality even as a kid. So to me, being sexy means staying connected to that part of me.
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As artists, we're always going to like the songs we just now made over the songs we made a year ago.
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I didn't only have a perceptual problem, I was also so nervous and so upset. The process just didn't work. I lost enthusiasm for school and I flunked second grade. The teachers said I was lazy.
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The good books stick around for a reason. There is a reason that we come back to them and they are so rewarding.
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I'm still very much in the apprentice stage of writing. I read somewhere that you need to write a million words before you know what you're doing - so I'm headed that way, but I'm nowhere near there.
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I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
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People say I look like a vampire. I don't know whether to take that as a compliment or not.
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I felt privileged to be a facet of such a jewel in the crown of American cinema.
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Sorrow is a fruit. God does not make it grow on limbs too weak to bear it.
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I have prepared myself to be at my peak in London. But in the Olympics, there are so many factors. You need to stay alert all the time, and a lapse of concentration, even for a second, will let you down.
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At our best, it's a good experience but we do 22 episodes a year, so there are some clunkers.
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I do believe in soulmates and happy/successful marriages. No marriage can be happy 24x7 for 365 days. Both partners have to make the relationship work, is what I believe in.
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I wrote 'All is Lost' while editing 'Margin Call'. I did that long before I knew if I was ever going to get to make another movie.
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I commend Chris Brown and Soulja Boy for going out there for so many years and entertaining the people.
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With art and the work you do, it has to be constantly dictated by what you're feeling and where you want to go with it.
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We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
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I learned a new language for it all in the 90s. Which in some ways isn't bad... I mean getting people to think about what language actually means before they use it is a good thing. But it's become very clear the past nine years that some Americans truly resent thinking before they speak.
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'Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a dangerous enemy indeed.'
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What I know about this world is that white people will take care of themselves. And what I have learned is that if you are where they are on an equal basis, they cannot take care of themselves without taking care of you.
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The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous.
