Bryan Batt Quotes
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I am a collector of many things, but I particularly love the sterling silver mint julep cups, each engraved with the titles of the Broadway shows in which I appeared.
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I tend to wake up in the middle of the night with ideas crying to be documented.
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As a rule, I try to avoid the French Quarter because of the crowds, especially Bourbon Street. But hey, some people love it. A great, wild, adult thing to see is the costume competition in front of the bar Oz on Bourbon early morning on Fat Tuesday.
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My mantra is, 'Don't be afraid of color.' What did it do to you? Do a color testing in alternate kinds of light you desire in the room because the pigment will change. And I refuse to believe that pale pale or white colors in a small room will buy you more square footage. Go with color all the way.
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I live a bi-coastal and sometimes tri-coastal life.
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People are easily intimidated when they decorate their home. They think it has to be one way. But there's no one way. It's your way, your style. At the end of the day, you have to live there. It's your cocoon, your nest. You have to be happy in it.
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God love Neil Patrick Harris - how great is that. People grew up with him; they go, 'Oh it's him, it's that little boy and he just happens to be gay. How great for him!' The more of those kind of examples that happen, the better it's going to be.
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When are we going to stop labeling everyone? How many times have I been referred to as 'out gay actor?' Do we say, 'out heterosexual actor' when we refer to Tom Hanks?
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You don't look at a painting and ask if the artist was gay or straight. I think it's irrelevant in any situation - I don't care if my garbageman is gay or straight as long as he picks up the garbage.
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When I did 'Ugly Betty' it was very similar to working on 'Mad Men' - great group of people in their own little world. But I don't really see a lot of difference. Of course, on the cable shows, you can tackle subjects and be more specific, because networks have to appeal to the masses, but that's constantly changing and evolving.
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Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'
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I'm in love with red. I think it's such a passionate color. Every flag of every country pretty much has red it it. It's power, there's no fence sitting with red. Either you love it or you don't. I think its blood and strength and life. I do love red. I love all colors. Great shades of blue, you find them in nature. They're all magic.
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When I've ridden in parades, I always throw to the kids, the elderly and anyone who is smiling and having a great time. I try to make eye contact with the person. If you catch a ton and a kid nearby hasn't caught much, share.
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The writing was so clearly written on the wall about me, but I didn't see it. I had no role models. I didn't know there was even a possibility of being gay. I battled with it, but this was the way God made me. If you have a problem with it, take it up with the man upstairs.
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My family's business was actually an amusement park in New Orleans. My grandfather had started that, and my grandmother was a dance maven in New Orleans. It was just the theatricality and the Mardi Gras and the pageantry that I fell in love with at an early age.
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I always wanted to be an actor, but I always loved design, and growing up in New Orleans there was such great style, great architecture. I would decorate my little apartment in New York over and over again, because it only had a couple of rooms. And I did it for friends and family on the side just for fun.
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My favorite song as a boy was definitely 'Downtown' recorded by Petula Clark. I still love it! And the original cast recording of 'Gypsy'; I played my mother's cast recordings until there was no vinyl left.
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I did grow up in New Orleans. I grew up right on the lake, right across the levee.
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When people ask, 'What role are you dying to play?' I always say, 'The one being written for me right now.'
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Labels don't really impress, it's the uniqueness and risk in decor that inspire.
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In the dining room, next to my collection of colorful papier-mache Mardi Gras float art, hang draperies made of the New Orleans toile fabric that I designed pre-Katrina for Hazelnut.
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There are many Broadway songs that apply to moments on 'Mad Men,' and I sing them on set all the time.
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I changed the lyrics of 'All I Need Is the Girl' to 'All I Need Is the Job' for an audition years ago. It's a great ice-breaker - people want to laugh.
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Gay actors have been playing straight since Euripides.