Piper Perabo Quotes
Well, usually when I finish one character, I'm looking for a role that's really different.
Quotes to Explore
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Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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You should always care about what you're eating because it's your body, and you should always want to eat healthy foods, but dieting tactics in Los Angeles are really confusing. There are so many different weird diets out there.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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In my mind, every single female character I've written is plus-size.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
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I think with Blair Witch and The Sixth Sense, people are much more open to something that is different.
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There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
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A human being is a deciding being.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.
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What I have learned is that designers are willing to tell the world that they are here to empower women from all different backgrounds and different walks of life.
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The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.
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If history is really relevant in today's world, the proposition doesn't command much respect. Perhaps the past is a different country, but if so no one much wants to travel there.
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Everybody knows that I am one of the greatest fighters of all time and I would beat all those guys.
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The struggle to maintain peace is immeasurably more difficult than any military operation.
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I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
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Well, usually when I finish one character, I'm looking for a role that's really different.
