Bryan Fuller Quotes
Quotes to Explore
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Mum and Dad split up when I was nine. We upped and moved from London to Sussex, and suddenly I went from an urban life to nothing in the countryside - with a new father and new life.
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All I can do is put out the good stuff, and people will make the decision on whether they like it. My fans are very intelligent people. They're not stupid. They know what's good.
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I am a Democrat. But I am an independent Democrat.
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I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
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I have carried the burden of my dad's image since day one. They never see me as just another guy trying to make his career in the film industry. I am always 'Megastar' Chiranjeevi's son first, and Ram Charan only later.
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These so-called extremists in Pakistan should be brought into the mainstream; if you marginalize them, you radicalize them.
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As far as actors who pop up again and again in Japanese dubs, and because they're really good actors, people like Steve Bloom, not only in 'Cowboy Bebop,' but also he's sort of the de-facto Wolverine. If you're doing an animated Wolverine anything, Marvel usually just goes to Steve first because he's recognized as that voice.
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You can't play having a mental disability. You have to play whatever that person's truth is without any judgement.
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The only tyrant I accept in this world is the still voice within.
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I'm an idiot.
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The big problems are where people don't realise they have one in the first place.
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Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.
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My friends have to remind me that it's OK to own the fact that you're good at something. I think it'll just come with getting older.
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No one can guarantee success of a film.
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That's the real trouble with the world, too many people grow up. They forget. They don't remember what it's like to be twelve years old. They patronize; they treat children as inferiors. I won't do that. I'll temper a story, yes. But I won't play down, and I won't patronize.
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With this film I have made more money than any of my other films. It was a high-wire act.
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You pass a program and get people dependent on it, making it brutal to get rid of. The key is not letting it get started.
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It feels like my job is to support people. I support great artists. When I worked with a symphony, I sat in the third chair, not the first chair.
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Although gravity is by far the weakest force of nature, its insidious and cumulative action serves to determine the ultimate fate not only of individual astronomical objects but of the entire cosmos. The same remorseless attraction that crushes a star operates on a much grander scale on the universe as a whole.
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I don't have anything against CGI.
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If Hollywood is the global producer for media products all around the world, that's of concern. If all audiences around the world know of America is what they see from Hollywood, then we're in trouble.
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How can you have this reference point, this stability, that is required to maintain the continuity of selves day after day?
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The bitterest truth is better than the sweetest lie.
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I love horror, fantasy and sci-fi. Those are my genres of love and devotion.
